If you have nice film curve family and you have extracted all data from it, having a good developing standard with a one film and developer and one agitation style.
What's the best practice to use when using different agitation style. For example, going from tray development to slosher, rotary etc?
As far as I have noticed via some tests, the correction factor is easy to found, but it's really a kind of average value.
For example, around N-development the correction factor from tray to slosher could be 1.1x but it goes to 1.2x when approaching N+2 contrast. And goes somewhere like 1.05x when doing N- developing.
The change of required correction compared to contrast varies for a every film. If one film has almost linear correction factor (none has really linear), another could have quite extreme, N-2 with correction factor 1.0x and N+2 with factor 1.25x.
When using single correction factor with this kind of film (either averaged or taken from somewhere near N contrast), the error of unlinear nature of film will cause 'significant' error in the resulted contrast when intented development is near extremes, N-2 or N+2.
But does it really matter? As the variable contrast papers will give a lot of room for corrections..
Probably most of films doesn't have a such unlinearity, but respond more linear to changes of agitation style.
So back to the question. Do you prefer to re-calibrate everything (use the 5 sheets and do new curves) if you go from tray to rotary or from tray to slosher or from losher to dip'n'dunk or...
Or is it considered good enough to take a single (or two) reference test and calculate correction factor and use result for calculating times for further developing?
In my tray development -> slosher this would be usually near 1.1x (ranging 1.1x to 1.15x).
Of course this raises an another question. How exact is enough? As the usual methology used for getting data for film curves has so many variables which all has a some degree of error margin.
I guess that a some sloppiness is acceptable
What's the best practice to use when using different agitation style. For example, going from tray development to slosher, rotary etc?
As far as I have noticed via some tests, the correction factor is easy to found, but it's really a kind of average value.
For example, around N-development the correction factor from tray to slosher could be 1.1x but it goes to 1.2x when approaching N+2 contrast. And goes somewhere like 1.05x when doing N- developing.
The change of required correction compared to contrast varies for a every film. If one film has almost linear correction factor (none has really linear), another could have quite extreme, N-2 with correction factor 1.0x and N+2 with factor 1.25x.
When using single correction factor with this kind of film (either averaged or taken from somewhere near N contrast), the error of unlinear nature of film will cause 'significant' error in the resulted contrast when intented development is near extremes, N-2 or N+2.
But does it really matter? As the variable contrast papers will give a lot of room for corrections..
Probably most of films doesn't have a such unlinearity, but respond more linear to changes of agitation style.
So back to the question. Do you prefer to re-calibrate everything (use the 5 sheets and do new curves) if you go from tray to rotary or from tray to slosher or from losher to dip'n'dunk or...
Or is it considered good enough to take a single (or two) reference test and calculate correction factor and use result for calculating times for further developing?
In my tray development -> slosher this would be usually near 1.1x (ranging 1.1x to 1.15x).
Of course this raises an another question. How exact is enough? As the usual methology used for getting data for film curves has so many variables which all has a some degree of error margin.
I guess that a some sloppiness is acceptable


