Nikon 2
Member
Any opinions on the most realistic performing sensor…?
CCDs render color way better and have a more filmic look to my eye. But you cannot have live view or video as far as I know. I think the resolution might be limited, too. I don't believe there are any CCD cameras made today. Leica famously had corrosion problems with the CCDs in their cameras.
@Nikon 2 You need to talk to an DSP engineer to get the answer. Photographers have no idea what they're talking about when it comes to sensors, signal processing, and color science. All sensors are monochrome. The color is defined by filters and signal processing. On top of that you have post-processing and Adobe with their Adobe Color profiles that make all cameras and sensors look the same. When a photographer starts mumbling about awesome "CCD colors" in their first Nikon DLSR, they're describing the color profile of the RAW convertor they used with that camera.
@Nikon 2 You need to talk to an DSP engineer to get the answer. Photographers have no idea what they're talking about when it comes to sensors, signal processing, and color science. All sensors are monochrome. The color is defined by filters and signal processing. On top of that you have post-processing and Adobe with their Adobe Color profiles that make all cameras and sensors look the same. When a photographer starts mumbling about awesome "CCD colors" in their first Nikon DLSR, they're describing the color profile of the RAW converter that came with that camera.
@Pieter12 he's asking specifically about rendering of CCD vs CMOS. Not two specific cameras or RAW converters. In other words, the question is about two different technologies, not products. A photographer cannot possibly have an opinion on CCD vs CMOS. An engineer might. You may like the output of your camera + RAW converter, but unless you know how the full stack works, you can't possibly attribute your preferences to CMOS or CCD.
[EDIT] I see how my comment may come across... full disclosure: I am not that engineer who knows the answers. I only worked on the DSP side of things, and somewhat familiar with the complexity of the overall imaging chain. It is simply too long with too many pieces for an end user to spot the difference or form an opinion on an underlying sensor technology. As far as I know, the differences between CMOS vs CCD show up in noise/dr, power consumption, readout speed, and cost. But if both are manufactured to the same spec, you get an identical output.
Even IF the CCD could provide a 'better image' than CMOS, there are a number of advantages that CMOS has over CCD in the integration into cameras...
- CMOS image sensors cost less to produce than CCD image sensors
- CCD sensors that use high-voltage analog circuits, while CMOS sensors employ a smaller digital circuitry that uses less power,
- in principle CMOS is free from smear (vertical white streak in the image taken under bright light) and blooming (corruption of images such as white spots).
- logic circuitry can be built into the CMOS chip during the manufacturing process, so CMOS sensors with an on-chip image processing circuit
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What Is a CMOS Image Sensor? | The principle of Semiconductor | nanotec museum
Semiconductor device that serves as an 'electronic eye', Faster in data rate than CCD, Cheaper, energy-efficient, and on-chip integratablewww.tel.com
CMOS = Lower cost, lower power needs, greater integration with support circuitry. Any CCD IQ benifit would have to be really big, and come with other significant advantages for it to overtake the use of CMOS.
The attribution is more like, I like TRI-X shot at 320 and processed in Rodinal rather than Delta 100 at box speed processed in ID-11.@Pieter12 you don't see what's coming out of a sensor. You see the output of multiple pieces of software (often created by different companies) chained together. What you prefer is not "CCD sensors". You prefer color filters and software in your cameras that just happen to contain a CCD. It's like saying "I prefer color coming out of my chrome cameras, not my black-paint cameras". The attribution is wrong.
Well there seems to be a coincidence that the combination of CCD and the processing in camera and in post produce color I like better. Witness the difference in color rendering between the Leica S 006 (CCD) and the Leica S3 (CMOS). There is obviously something different happening at the sensor-level.
Well there seems to be a coincidence that the combination of CCD and the processing in camera and in post produce color I like better. Witness the difference in color rendering between the Leica S 006 (CCD) and the Leica S3 (CMOS). There is obviously something different happening at the sensor-level. CMOS sensors perform much better at higher ISOs and can reach ridiculously high ones at that. It can’t just be happening at the processor level.
I still like CCD sensor rendering better. But they are not being made anymore. The benefits listed above are benefits for the designer and manufacturer and beyond live view and high ISO performance and maybe lower cost, do not affect the user. Maybe CMOS sensors are more reliable.
Obviously? How can that be obvious if all sensors are monochromatic? Color is created entirely in software with help from a color filter. "CCD color" is a delusion. If you want S 006 color from the S3, build a LUT.
Maybe it has something to do with how processors and software deals with a CCD signal vs CMOS. Leica makes a big deal about their Maestro processors. I will repeat again, the raw files straight into Capture One look natural and filmic to me, no real adjusting or tweaking necessary. Especially the skin tones. But that could vary with ethnic groups and preferences. Less so with CMOS generated images which seem harsher and more "digital."
I flip flop on this and have come to the conclusion that now, with modern CMOS, it’s all psychological.
I can say for sure the Canon 5D Classic creates beautiful colour. I haven’t googled to see what sensor it is, I don’t care. I can say the Hasselblad 100% outputs better colour than the Fuji with the same sensor - again to my eyes. And I can say that no Sony ever made can produce colours my brain can accept, even though they share sensors with other manufacturers.
So it can’t be the sensor, it must be what comes next.
However, I also know if you blind test me I’d change my opinion every week. It’s all about the light and what’s in front of your lens.![]()
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