The cult Trioplan 100/2.8 for 35mm film has the donut shaped highlights, which some like while some hate. Do the large format triplets share the same optical traits?
It's not every triplet, and doesn't need to be a triplet, it's an effect of lenses in general that are over-corrected for spherical aberration.
I checked some 120 E4 portraits made with an early Rolleicord and Triotar, and I was working fairly wide aperture, there's no swirly effects, donuts, etc. Just a nice out of focus softness.
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