I must not understand how the FL works.No. You compose and focus the same as you would with an FD lens. You meter with the camera set in its stop-down mode. You do not have to have the lens set in stop down mode when you trip the shutter -- you can if you want, but the camera will set the aperture anyway to its pre-determined value when the shutter is tripped. It is very important that, if you use the camera's onboard meter, you meter with the stop-down lever engaged and then you set the meter needle to the stop-down metering index mark. With respect to the needle, I'm thinking of the AE-1, FTb and F-1. Those cameras with digital or LED readouts will handle the index differently, but the concept is the same.
I am reminded of the Canon A-1 as an example. That camera has a "Stopped Down AE" mode, which is essentially Aperture-Priority AE with the lens set to manual aperture mode. It stays stopped down when the shutter is tripped. But with other cameras, such as the FTb, EF, or original F-1, you can stop the lens down momentarily to meter -- or you can set the stop-down lever to stay put for manual aperture during exposure. Either way works.
The FL lens doesn't have the connection with the camera that communicates to the meter what aperture has been set (actually the offset between maximum aperture and the aperture set), so you have to meter using the actual stopped down aperture, not the wide open aperture that is best for viewing and composing.I must not understand how the FL works.
How can an FL lens stop itself down when the shutter is clicked...isn't that why it is not an FD.?
If i do not have the Stop Down button pushed, won't an FL Lens be wide open when the shutter is clicked.?
I'm well aware of that, the point I was making is that when they are used with FD cameras you have to use stoped down metering so they are very slow and counter intuitive to use compared with the proper FD ones.FL lenses work the same on a FD-bodied camera as a FL-bodied camera. Meeting is stop-down only, but viewing and focusing is with the lens wide-open. The aperture will stop down to the taking aperture when you press the shutter button. No need to pre-set the diaphragm.
Jim B.
More ^^^^^^^^^good info...Thanks.
It would seem that part of my confusion (beside the fact that i did not completely understand how the FL works) stems from One Lens.
It is a 50/1.8
It meters correctly (i think) whether it is stopped down or not.?
In short -- I love it. My impressions are just about the same as yours. As big as a mortar tube, but close to zero distortion and little if any CA. Very good sharpness, even wide open at 300mm. Mine came with an original Canon wedge shaped case. I was curious about the reason why the case was wedged shaped until one day when I was looking at how much room there was at the top of the case and then it dawned on me. I mounted an FTb to the lens and dropped it back in the case, and it closed up just fine. So that's kind of cool -- you can carry that big lens around in its original case with a large 35mm camera attached to it, ready to shoot.
I used to own the regular 19mm f/3.5 -- the one that didn't require mirror lock up to use. And I loved that lens. Wish I would have never sold it. Nowadays, prices are steep for that old hunk of glass, but worth it, really.
That's correct, I can't think why anyone using FD cameras would want to buy FL ones when you can get FD ones with fully automatic diaphragms so cheaply.One can meter correctly with a FL lens on a FD body, if the stop-down button at the body is depressed, and the lens is set at "M".
With the FL lens instead set at "A", metering will only be correct for exposure with aperture full open.
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