Perhaps it's not clear I've been facetious...I'm aware that the topic got derelailed by Richardson in person and his Yashica, but still...what the frak are they talking about? Art, commerce and porn are the same thing, everybody knows it!
Are these shots artistic, professional, commercial or pornographic?
To be equally snarky, it could be argued that they are none of the above, but instead are mere snapshots taken without any intent whatsoever. They could be artistic (photographed with intent to communicate, not just document), they could be commercial (taken for advertising purposes). I seriously doubt they would qualify as pornographic to any but the most thoroughly degenerate mind stricken with industriomania (the eroticization of public infrastructure and industrial buildings). But generally, not pornographic as there's nary a penis nor boob in sight.
Cuthbert, gorgeous images. I have that lens too. I'll have to compare it against my Nikon 50
I'm not sure a T4 would make a fashion spread look unprofessional. The Yashica compact was one of a number of manufacturers' attempts in the nineties and early noughties, to make a pocket camera that gave results at least as good as their SLR equivalents.Which gave rise to someone citing an example of Terry Richardson using a Yashica T4 to shoot fashion spreads for Vogue, made to intentionally look "un-professional".
I'm not sure a T4 would make a fashion spread look unprofessional. The Yashica compact was one of a number of manufacturers' attempts in the nineties and early noughties, to make a pocket camera that gave results at least as good as their SLR equivalents.
I suspect Richardson's initial reasoning was to use a small flexible camera that allowed him to engage with his models in a flexible, dynamic way - or whatever euphemism you might use for squirming about. An AF compact would perform that role very well, without getting in the way, or wearing out the photographer. Professionals in the 70s and 80s tended to be defined by the size of their rig (no pornographic pun intended), most of which was about separating themselves from amateurs by virtue of bulk and weight. Personally speaking, I can't tell the difference between a shot taken on my Olympus MjuII and my pro SLRs. That being so, I defy anyone in a blind test to differentiate the results from Nikon F2 and a Canon F1 with similar spec lenses. And if you can't tell any difference by the output, "better" is a very subjective term.
Have you ever actually owned a Canon New F1, or any of the fantastic Canon FD L lenses? because I own and have owned both of these camera systems and used to sell them both professionally at a leading U.K. professional dealership and can say unequivocally that your assessment of these two professonal cameras and their lens systems is too partisan and uninformed for words to say the least if not downright silly.I was always told by my father "Nikon for pro's, Canon for amateurs"
Nikon has a better resale value, is more durable and better engineered. Even the lowest end Nikon body will last decades longer than the best Canon body. Nikon lenses run circles around Canon lenses all day, and twice on sunday.
They are both very fine cameras, how good they are depends on who is using them.
I was always told by my father "Nikon for pro's, Canon for amateurs"
Nikon has a better resale value, is more durable and better engineered. Even the lowest end Nikon body will last decades longer than the best Canon body. Nikon lenses run circles around Canon lenses all day, and twice on sunday.
I was always told by my father "Nikon for pro's, Canon for amateurs"
Nikon has a better resale value, is more durable and better engineered. Even the lowest end Nikon body will last decades longer than the best Canon body. Nikon lenses run circles around Canon lenses all day, and twice on sunday.
I ate goat meat curry once. It was delicious.
I'm a Nikonist. You and your father are idiots.
I was always told by my father "Nikon for pro's, Canon for amateurs"
Nikon has a better resale value, is more durable and better engineered. Even the lowest end Nikon body will last decades longer than the best Canon body. Nikon lenses run circles around Canon lenses all day, and twice on sunday.
I'm a Nikonist too, but I must say my Canon IIb from '49 or '50 works a treat. It's also 15~ years older than my newest Nikon...
Nikon got in first on the professional market. Then Canon stole their dinner with SLRs for the masses.
That's true. However the AE-1 gave the public what they thought they wanted, inexpensive, plastic bodied SLRs with automation. It left manufacturers of metal bodied cameras with manual metering looking old fashioned, to Joe Public at least, and other makers fell in line including Nikon. I don't know how many A-series cameras Canon sold, but it must have been millions.You left out the part where the masses were catered to by Minolta, Pentax, Ricoh, Yashica, etc.
Nikon bodies, Minolta lenses. That's perfection to me.
E., Canon has always made good quality cameras and lenses. I have nothing against Canon. If I'd bought into Canon SLRs before the EOS mount was introduced I'd have been irate for a while, but that has no bearing on how capable Canon's products are. I've used Canon cine cameras and been happy with them.
Nikon bodies, Minolta lenses. That's perfection to me.
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