Thanks.I own both Power Winders. I consider both equally noisy. Kind of a two-staged noise as the camera trips the shutter, then advances the film. If you need quiet, forget the winders and advance the film by hand. If you're in a situation with background noise, then the noise from the winders won't be a factor. Hope this helps.
My issue is wildlife scenes are quite short and winding by hand makes me lose the subject and the action.
I also would like to make my setup more stable and this would imply a shoulder stock and a way to keep both hands in the same plaec all the time.
I'm considering (again) digital for these reasons, not sure what to do at the moment...
The power winder FN Laureant with the AE Finder FN in addition to aperture priority also gives you shutter priority AE.
My issue is wildlife scenes are quite short and winding by hand makes me lose the subject and the action.
Thanks, not sure it helps me in deciding, as I'm still happy with the old f1 and getting a new f1 may be only giving up to gas. .
But at leastI'll know I can't get a new f1 for a more silent winder.
I agree 200% on the motor drive, I don't need that speed! I just want to be ready faster when shooting animals and hope I can get rid of the monopod. in favour of a should stock
In fact, most of the time I set the exposure for a moment, as conditions do not change THAT much in a few minutes (that's for wildlife), this is one of the reasons that pointed me to a shiny Old F1...The New F1 is altogether a more ergonomic camera to operate and quicker to operate due to Aperture priority and Shutter priority AE (the latter enabled via using a winder).
I'd choose the New F1.
YoUooUooooOOoo NeeEeeeEeeeeEEEEeeed the New F-1...OoooOooOooOoOOOooOOo
I was given one, had no clue what I had. It is incredible. And my photos are better now because it has a 1984 Olympics branding.
In fact, most of the time I set the exposure for a moment, as conditions do not change THAT much in a few minutes (that's for wildlife), this is one of the reasons that pointed me to a shiny Old F1...
Winder is a bit noisy, the electric triggering is a it too much, so when I want to keep unnoticed I use manual triggering and winding.
I have no doubt I'd be happy with one, but I already have 4 FD cameras (not counting the one under CLA, nor the ones for sale)
One fell into my lap, wasn't looking for it. Now I need lenses and I'm not really up to speed on the FD lineup. I have a 50 1.8, 28 28 2.8 and a few 135's. I don't know the legends are heroes of the FL/FD lineup. I know Nikon, what's the Nikkor 105 2.5 of the FD lineup? I should start a thread.
I dare to say all (ALL) tele lenses on the FD system are great, i've never been dissapointed. And i've owned the Nikkor 105/1.8, 105/2.5 (AI) and 85/1.8 (pre-AI and K). Which are great lenses too.
The FD new 85/1.8 is absolutely superb. As good as my Nikkor K 85/1.8 -a lens I love- but much lighter and smaller!
As is the 100/2.8 FD in any version, a lens that is not also sharp, it also has great out of focus transitions. Canon was famous for the FL 100/3.5, and this one continues the tradition of the Canon 100mm.
The 135/2.8 FDn i've used in a professional context many times, with great results.
The 135/2.5 FD is also legendary for its rendering.
We could go on and on... !
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