You're in luck, sort of. (...)
The lens, on the other hand... (cough)
(...)
The so-called 'plastic fantistic' is an EF 50mm f/1.8 II, currently sells in the neighborhood of $125. Said to have excellent sharpness. Amazingly cheap build.
I'm not the one to talk sometimes*, but why not limit yourself to fewer systems. This makes things easier (and cheaper) when wanting to use lenses.
Since you're a Nikon user, why not get an N80 or F100 and use your existing lenses (of course if you have FF lenses or DX lenses that fill most of the film). Of course the manual bodies and lenses are very different than their counterpart, so maybe keeping that AE-1 would be fun. But then again, you could always get a Nikon FM2n, FE2, etc that could use Non G Nikon lenses.
* I say this because I sometimes have 2 different systems in the same format. For example, I have numerious Nikon and Minolta MD lenses for the bodies I have. But I'm keeping it to these two. (ok, the Mamiya NC1000S w/ one lens doesn't count and also I'm temped to buy a friends Canon F-1n.)
It doesnt aıtofocus in dim light , 35-80 is fastest autofocus lens in eos lenses , Camera bosy requires a strap or after one hour , your hands would pain , I dont think any difference with that and digital camera. When it took blue trees at dim light , I sold it. When you load film , take it to the green , big sign on the wheel , it will wind the film until it finish and whenever you shot a frame , film will return to its roll , reverse of Leica.
Glass is the cheapest grade and japanese engineering is still at the precision level at lens grinding back to the Leicas 1940s even today. Dont shot a frame and waste it when you have a Leica. This is disneyland camera.
You're absolutely right off course, but why not indulge my CBS (*) when the camera is free? Especially when I have the Leica-R to Eos adapter? (and don't you dare to ask why I bought this ring in the first place !!).
About Nikon: I already have a F, F2as, F3, FM3a, EL2, FM10 (recent present), F90x (=N90s in USA), and also a F4s and a F5 but these two died on me (maybe I'll get them repaired?). And several good old and new Nikon lenses. So that is good enough for one system and no need to get into an other system like Canon, I know.
But, you know, severe CBS sometimes ....
I have only one DSLR: a Nikon D200.
(Did I forget to mention my Leica, Bronica, Canonet, Clack, Gevabox, Rolleiflex, Kowa Kallo and ...? Welcome to my Camera Orphanage)
(*) CBS = camera buyers syndrome
Well, I think you've things covered.
*slow walks away*
Consumer SLRs were incredibly sophisticated and generally light, if a little bulky. That can be forgiven as they pack a lot of extras into a small space. If you view them as a fancy point and shoot rather than a low rent professional camera they make a lot of sense. AF can be slow on kit zooms in low light, but no worse than P&S cameras.A couple of the bodies (Rebel 2000) are incredibly cheap and incredibly light with a kit lens - and I get a built in power winder, auto-focus and a built in flash - can you say "high quality snapshot camera"?
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