Can one be successful shooting only B&W portraits?

cliveh

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In my opinion colour is a dilution of the message and black & white is a stronger means of communication.
 
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OP
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cramej

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Quote from OP: "I've thought about marketing myself in this way after I am able to get my darkroom set up but I've never been quite sure of the demand for such a product or service in my area".

I was thinking this way in terms of price point. Obviously, it costs me more to produce a 8x10 from film and a wet print than the electronic file and lab route. Soooo, if the work is good, I shouldn't have to justify the price.


Hmm, you're right. If I can sell machine prints just fine, then why should it be any different for a wet print? The thoughts on format are also interesting. I think with my current equipment I could print 20x24 at the largest.
 

eddie

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It's been about 18 years, but I did well selling hand-colored black and white portraits. I found a market because it was a unique product (shot on either 4x5 or with my RB). It was mostly kids, so I would do the shoot in their homes, toting a little 400WS Speedotron with 3 heads. No special backgrounds (sometimes just a bed sheet from their home). I was upfront about the cost (minimum $1250) and prints were expensive. I think it was $80 for a 5x7 matted to 8x10. $150 for an 8x10. $200 for an 11x14. $300 for a 16x20, and $475 for a 20x24. I didn't have a sitting fee, but required a $625 deposit on arrival. I had very few who placed orders for the minimum. Most were around $1750. When I invested the marketing time, I averaged about one booking per week. A night of film processing, one day for printing, two-three days for coloring and matting. So, a job took up the better part of 4-6 days. It was fun. I do think someone could still do it today, and make money.
 
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