Made of Unobtainium, I could never have one of these because it cost the equivalent of 3.3 weeks of median US income pay.
and as a teen, I had no income.
Wow. Beautiful camera. Any backstory? Do you own this now?
Over 50 years after the initial teen lust for the camera made of Unobtainium, I entered a thrift store with my wife, and saw a camera in a glass disply case. I asked to see it and opened the eveready case, not sure what to expect...it was a Topcon Super D with f/1.4 lens, for $25...I bought it immediately, not caring if it even worked. I took it home, ran a roll of Tri-X thru it to test all the shutter speeds, and it operated perfecting, including the TTL meter.
The Topcon D-1, was only 2.1 weeks of median US pay at $269, was only partially made of Unobtanium, so I had a great desire for one of those as a teen, too. Finding the Super D sparked a long supressed purchase bent. Three of the world's first SLRs with TTL metering.
The camera at the far right, the Auto 100, was what dad could afford to buy me...it was only 1.3 weeks median pay But now I can somewhat replicate the Beseler ad photo. All are operational, amazing after almost 58 years.
Mamiya old ZM. There's something about how it felt, and handled. It had this tactile quality to it that I really liked. This was my main camera for a couple of years and I took it pretty much everywhere. Sadly, the build quality wasn't quite up to that kind of intensive (ab)use and ultimately it suffered from several problems that were increasingly difficult to fix. I may still have it in a box somewhere, although I'm not entirely sure - perhaps it's gone now.
One of the images I made with it:
It's a small photopolymer intaglio print of a digital positive, the original negative being exposed on TMY2 in the medina of Fes, Morocco, about 8 years ago. It was the last trip abroad I took this camera on.
Question : does the Auto 100 use the same (exakta) lens mount as the two others ?
The metal Copal Square shutter's 1/125 X-sync speed was always an attraction for me, among focal plane shutter bodies. It took more decades for X-synch to be made faster. The Auto 100 could synch with electronic flash to its top speed, 1/500, since it was a leaf shutter immediately behind the lens opening.polka said:the RE2 has a vertical metal shutter synchronized at 1/125
Been there as well although I started in 70.Not really cameras, but the camera magazines from the 1980s had a special place for me. As a kid with no money, I would be mesmerized by the glossy ads run in Pop Photography etc by all the manufacturers. Everything seemed exotic to me! I do remember one print add for the Contax 139, 137 and RTS. I had about as much chance as getting one as I would a Ferrari!
Minolta had some great ones for their XD series cameras.
Over 50 years after the initial teen lust for the camera made of Unobtainium, I entered a thrift store with my wife, and saw a camera in a glass disply case. I asked to see it and opened the eveready case, not sure what to expect...it was a Topcon Super D with f/1.4 lens, for $25...I bought it immediately, not caring if it even worked. I took it home, ran a roll of Tri-X thru it to test all the shutter speeds, and it operated perfectly, including the TTL meter.
The Topcon D-1, was only 2.1 weeks of median US pay at $269, was only partially made of Unobtanium, so I had a great desire for one of those as a teen, too. Finding the Super D sparked a long supressed purchase bent. Three of the world's first SLRs with TTL metering.
The camera at the far right, the Auto 100, was what dad could afford to buy me...it was only 1.3 weeks median pay But now I can somewhat replicate the Beseler ad photo. All are operational, amazing after almost 58 years.
As far as the adds in magazines that as a teenager caught my eye, Miranda!
My grandfather's Pentax Spotmatic F. He made tons of slides (trains, excursions, parties etc.) which i still have.
When he died in 2007, i got all of his photography equipment which got me started on photography. I already knew the stuff and especially analog, as we lived only
a few hundred meters apart and i often visited my grandparents.
Soon after i got hooked, i upgraded to Hasselblad, but his stuff has a special place and to this day, it sometimes feels like some kind of tribute to him when i photograph.
This thread reminded me that i should sift through all the slide boxes and digitize valuable ones.
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