henryyjjames
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It has been described by PE and others here that dyes hues are dependant of fixer pH.
Sort of, as I understand. The problem doesn't seem to be there with modern C41 dyes, though. It used to be an issue with certain old dues that they would revert to a leuco state at acidic pH's - in this state they're colorless, so appear to be missing or have lower than anticipated density. I've never gotten modern film (or paper) to do this. I don't believe that modern photographic dyes actually shift hue depending on pH, though.
I am not talking about dyes stability.
I know, neither am I.
Where is the evidence that contemporary C41 dyes will shift hue depending on pH? I don't doubt that certain dyes do this - it's well known and the basis for e.g. litmus tests etc. But I've seen no evidence that modern dyes in C41 film (or RA4 paper for that matter) are pH sensitive in terms of hue angle.
Are they milky/cloudy looking when the negatives are still wet or dry?
There is no harm in re-bleaching and re-fixing them, remember you can't over bleach or fix so you won't do any harm.
They were milky looking (and slimier?) when wet. I'll look at them tonight. They are dry now; I just haven't touched them yet. What bothered me is that the first films I did the other night didn't look this way, and they were all Fuji stock.
Film dyes are mostly transparent to IR light, whereas silver is not
the fixer pH should never be allowed to fall below 5.5, since low fixer pH affects the dye stability of Kodak color negative films.
Specifically, in the ECN-2 development document, there is the following explanation regarding pH:
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