jm94
Member
- Joined
- May 9, 2011
- Messages
- 203
- Format
- 35mm
I developed a roll of portra 800 yesterday in C41. I do quite a bit of E6 processing and have no problems, but this... Was not the result I expected. First off, I know the temperature was a little bit too high. I realised it had gone up to 39.5 C when the water I used to heat the bath suddenly went boiling hot as my housemate turned up the wrong dial on our boiler while the tap was running as the temperature had fell to 36.9, and only noticed too late!
After development bleach fix and wash etc I stabilised it,the stabilizer left horrible drying marks, so I rewashed and used the e6 stabilizer, the only final rise apart from water than I know of that actually works and doesn't leave a single mark.
I began to print via RA4 on supra III which was stored at -18 since new, which I bought 3 rolls oflast year, the guy kindy delevered them all for £40 and £5 for fuel. and when I moved to bath, had my parents freeze it and then send me a roll a year down the line which i got yesterday and cut loads of sheets with my rotary cutter darkroom guillotine. Not perfect sizes but I can cut them down afterwards. I bought them I case I got into ra4 printing properly and tested two sheets worth only from 1 roll when I got them, they came out brilliant.
The paper works very well on my 'test' negative, a bike photo.
Many of these photos came out very saturated, skin tones were horrible and very yellowed, and contrast was extremely high. Now I think it MAY have been insufficient bleaching and wonder if that might have caused the problem. Pinks came out very dull, and finding a good filter pack to print well was very, very difficult, a change of 5m /y would change the cast to a much larger degree than I have seen! I used the tetenal 2 bath kit but I prefer separate bleach and fix so that's what I worked with, I didn't mix the blix halves. The spider on one of the photos that has my housemate behind came out perfect, as did the web, but the skin tones were shocking, too much yellow with insane contrast to them! The wooden silver picture frame in one of the photos had a slight yellow tinge and looked very dull.
The borders of the prints are still white as white, ruling out age-fog, plus other stuff prints well on the stuff, but finding the right filter pack takes some experimenting.
Now I think I might have messed up the developing majorly and maybe one or more of the colour layers were not well developed, the cyan? Layer... also cannot rule out bad bleach as it looks somewhat like bleach bypass in some ways as well.
Any ideas? The roll was not too crucial but at the same time I could do with good prints from the roll as they were ones I wanted to keep! E6 I can do well, but c41 I still have some learning to do!
Any advice would be greatly appreciated
Seeing as the only good lab around here that can do my negatives well has closed down, I had to start C41 at home! Boots and other mainstream stores scratch them, jessops wanted £5 for NEGATIVES Only! I never got into c41 in my old town as I knew the best lab there well who did them for £1 a roll, very cost effective and perfect negs every time. Was more cost effective than doing them at home for my volume at the time.
I might also try rebleaching And fixing when I get home...
After development bleach fix and wash etc I stabilised it,the stabilizer left horrible drying marks, so I rewashed and used the e6 stabilizer, the only final rise apart from water than I know of that actually works and doesn't leave a single mark.
I began to print via RA4 on supra III which was stored at -18 since new, which I bought 3 rolls oflast year, the guy kindy delevered them all for £40 and £5 for fuel. and when I moved to bath, had my parents freeze it and then send me a roll a year down the line which i got yesterday and cut loads of sheets with my rotary cutter darkroom guillotine. Not perfect sizes but I can cut them down afterwards. I bought them I case I got into ra4 printing properly and tested two sheets worth only from 1 roll when I got them, they came out brilliant.
The paper works very well on my 'test' negative, a bike photo.
Many of these photos came out very saturated, skin tones were horrible and very yellowed, and contrast was extremely high. Now I think it MAY have been insufficient bleaching and wonder if that might have caused the problem. Pinks came out very dull, and finding a good filter pack to print well was very, very difficult, a change of 5m /y would change the cast to a much larger degree than I have seen! I used the tetenal 2 bath kit but I prefer separate bleach and fix so that's what I worked with, I didn't mix the blix halves. The spider on one of the photos that has my housemate behind came out perfect, as did the web, but the skin tones were shocking, too much yellow with insane contrast to them! The wooden silver picture frame in one of the photos had a slight yellow tinge and looked very dull.
The borders of the prints are still white as white, ruling out age-fog, plus other stuff prints well on the stuff, but finding the right filter pack takes some experimenting.
Now I think I might have messed up the developing majorly and maybe one or more of the colour layers were not well developed, the cyan? Layer... also cannot rule out bad bleach as it looks somewhat like bleach bypass in some ways as well.
Any ideas? The roll was not too crucial but at the same time I could do with good prints from the roll as they were ones I wanted to keep! E6 I can do well, but c41 I still have some learning to do!
Any advice would be greatly appreciated

I might also try rebleaching And fixing when I get home...
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