Silly question from a long time listener, first time caller. Is it possible to totally automate the traditional darkroom process? As in the way color film and prints are automated. From developing the film, choosing the filter grades, the enlarger times, developing the paper and maybe even dodging and burning. Maybe even "retrofitting" an old color film and print minilab. All suggestions taken.
Silly question from a long time listener, first time caller. Is it possible to totally automate the traditional darkroom process? As in the way color film and prints are automated. From developing the film, choosing the filter grades, the enlarger times, developing the paper and maybe even dodging and burning. Maybe even "retrofitting" an old color film and print minilab. All suggestions taken.
there were automated B&W film processors for small commercial users. Kodak made one called the VERSAMAT.
The old time photofinishers had dip and dunk processors to automate developing film, and "printers" and Paper processors to run off hundreds of prints in a relatively short time.
Ilford Made (probaly bought and resold) a desk top processor which processed - washed and Dried ilfospeed paper in about a minute or two. that will an enlarger equipped with a light meter/timer and you could knock off prints quickly.
Picking the contrast grade and deciding if and where to dodge and burn in are artistic decisions that I don't think most folks would want to leave to a machine no mater how clever it might be.
I dunno, I tried that "spouse" add-on and while it worked, it wasn't optimal for my sanity. The programming of said add-on took a very long time, and it never produced very good results. Spouse also has a very good memory, and will remember the attempted (re)boots. Disposal of said system is also reputed to be extremely expensive with current regulations. This add-on also comes with optional equipment called "children" and these also are reported to be extremely expensive as well and nearly (if not completely) impossible to acceptably dispose of.
For our UK print service we have an adapted FUJI Frontier that images onto our Digital black and white RC paper and works in the same way as a colour minilab, but uses silver gelatin paper and monochrome chemistry.
A few other people around the world use a similar system.