That's it.it's pretty much a continuous agitation process.
Probably, yeah, sort of. I don't like reusing C41 developer without replenishment - in fact, I don't like reusing it at all. I much prefer one shot. It's relatively cheap anyway. Why risk it?But if I develop 2 more rolls in that 500 ml the next day, it should still be good right?
Wayne My Jobo 1520 tank requires only 250 ml for rotational agitation but this means in a constant horizontal position. If twisty-turny means the tank is always horizontal then fine but even if the tank rises out of the horizontal for any time at all then 250 ml may not cover the whole film all of the time.
I suppose that if it is out of the horizontal for only a second or so then the developer remaining on the film will continue to do its job but it would have to be raised for very short periods only to avoid any chance of developer starvation in my opinion.
I'd be tempted to roll it back and forth along a top with the lid sticking over the edge so it was the equivalent of rotational agitation
If you do use 250ml and the twisty-turny agitation let us know how it goes. If everything goes well then let us know much out of horizontal the tank was and for how long.
I am all for saving developer and if twisty-turny creates no problems then this may be something others might want to try
Thanks
pentaxuser
I much prefer one shot. It's relatively cheap anyway. Why risk it?
No, Fuji.Maybe you are using Flexicolor
So buy cheaper stuff. Why go for expensive if cheap is available, and is just as good if not better in quality?Unicolor is not cheap
No, you're adding development byproducts to 500ml of developer, effectively seasoning it, which will affect in particular the development speed of the different layers compared to each other. In other words, you're affecting color balance. Maybe just a little - maybe enough to be problematic. Why risk it?I'm only using half the nominal capacity developing 2 rolls in 500 ml.
Developer, and in particular color developer, does not work in a binary way: it's either good or it's not good. If you want to look at it that way, it's only 'good' if fresh or correctly replenished - in all other scenarios it's not good. The whole reuse-without-replenishment philosophy relies on accepting certain levels of 'not good'. Again - why risk it...its still well within capacity.
The whole reuse-without-replenishment philosophy relies on accepting certain levels of 'not good'. Again - why risk it...
I think I'll have to use about 500 ml to keep the tank from floating, though only 240 ml is required.
No, Fuji.
So buy cheaper stuff. Why go for expensive if cheap is available, and is just as good if not better in quality?
No, you're adding development byproducts to 500ml of developer, effectively seasoning it, which will affect in particular the development speed of the different layers compared to each other. In other words, you're affecting color balance. Maybe just a little - maybe enough to be problematic. Why risk it?
Man, I must have low standards....Developer, and in particular color developer, does not work in a binary way: it's either good or it's not good. If you want to look at it that way, it's only 'good' if fresh or correctly replenished - in all other scenarios it's not good. The whole reuse-without-replenishment philosophy relies on accepting certain levels of 'not good'. Again - why risk it...
Thanks for the reply. I was concerned that maybe when you mentioned on 250ml being required that you might be tempted to try it. After all it would be possible for instance to hold the tank down so it didn't float in the bath. All that I was getting at was that 250ml is not all that is required except for horizontal rotation. 500ml may be what is required to hold the tank down but even if it wasn't required for that purpose it would still be needed for any form of inversion agitation.
pentaxuser
Obviously. Which is something the manufacturer of the chemistry knows, and accounts for. This is also part of the reason why some argue that volumes as low as 150ml/roll (e.g. single 135 roll in Jobo 1510, continuous rotation) are NOT a valid option.I'm no chemist but after 2 minutes of developing a roll a C41 you are developing in byproducts too.
IIRC you asked two questions: how to agitate, and is it OK to reuse 500ml of developer that's already been used for 2 rolls? You're apparently looking for a soothing answer on the second part to put your mind at ease. So have it: it'll be all fine.We're veering a bit here. I already have what I have, and what I have is what I will use. My main question is about agitation.
I stick to 1 roll of 120 per 250ml of developer approximately. There seems to be a lot of misinformation online about massively over using the C-41 developer (which is inexpensive) compared to time, resources, and film... I suspect part of this is down to promotion of the kits that are very expensive if not over-used. In my experience the bleach can be replenished extensively.This is also part of the reason why some argue that volumes as low as 150ml/roll (e.g. single 135 roll in Jobo 1510, continuous rotation) are NOT a valid option.
That's probably a safe limit. The problem is really IMO in the conflicting and/or incomplete information we are provided on C41 developers. Either it's lab chemistry for which datasheets are available that outline the replenishment rates, from which you might deduce minimum required volumes, if not for the fact that these datasheets nearly never give guidelines for small tanks and always rely on the assumption of minilabs to dip & dunk systems. So the guidelines for replenishment are problematic to translate into guidelines for small tank processing. On the other hand there are consumer kits aimed specifically at small tank use, but these often come with overly optimistic volume-per-roll specifications - sometimes with very suspicious instructions ('for roll 2 & 3, add x% to development time') that can only point towards a compromised approach to C41 processing. In the end, the fundamental problem is that C41 developer was never made specifically to work with small tanks. It does so, but the boundaries within it does so well (i.e. within spec) are pretty much unspecified, at least for most brands and types of chemistry.I stick to 1 roll of 120 per 250ml of developer approximately.
This is a simplification that does not account entirely for the influence of halides leaching from previously developed film into the developer (as well as more minor effects such as pH drift). While the overall gamma can be kept within the same region as the first film that's developed, it becomes increasingly difficult to maintain tracking between the different emulsion layers. The matter is more complex than 'developer activity'. Why CineStill does not account for this, I don't know. Probably not to confuse consumers. Personally, I'd rather be confused than incompletely informed.Using a volume of chemicals once will not destroy its ability to develop film. However, extra time must
be added to the processing to compensate for the weakened developer.
Let me stir the pot, from Cinestill:
https://cdn.shopify.com/s/files/1/0...nstructions_Complete.pdf?14374404616962145803
One is always concerned about chemistry life and capacity, quality of results and economy when processing
multiple rolls in a batch of chemistry. From the user’s viewpoint it may seem that chemistry manufacturers
are somewhat arbitrary about the number of films which can be processed before the chemistry must be discarded.
This stems from the manufacturer not knowing - only guessing - four essential things: how many films
will be processed in freshly mixed chemistry; in what manner and how long will the chemistry be stored before
processing again; what contaminants have entered the system from either the water supply or from unintentional
chemical intermixing; and how far can the results deviate from ideal before the user deems them unacceptable.
All developers start on an inexorable downhill exhaustion path the moment they are mixed, and
exhaust faster in the presence of air, contaminants and high temperature, and suffer superimposed stepwise
exhaustion with each use. We can offer some observations on extended chemical capacity:
• If you accept the role as the final arbiter of acceptable results it is easily possible to process 25%, 50%, or
even more rolls of film than those listed in the capacity charts above by following the instructions below for
“Chemical Reuse - Processing with Weakened Developer Solution”, so long as all processing takes place within
or even more rolls of film than those listed in the capacity charts above by following the instructions below for
“Chemical Reuse - Processing with Weakened Developer Solution”, so long as all processing takes place within
a few days after mixing the chemicals. There is only one rule in this exercise: process film until you no longer
like the results. The safeguard in this procedure is that results generally will not plummet precipitously from
“good” to “bad”, but will change gradually.
• If you take full responsibility for quality of results, it is possible to process more film over a much longer
time span. This procedure is somewhat risky unless you process some film every day or so to monitor chemistry
performance. Otherwise, partially used working solutions left untouched for a week or more might have
changed so significantly that you would suffer a dramatic decline in results. If you choose to operate under
these conditions, our best advice would be to process a small piece of test film, and on the basis of these
results, decide whether or not to commit valuable pictures to the chemistry
That's probably a safe limit. .
I've used swizzle stick agitation in my Paterson tanks since I started doing C-41 again in mid-2020 (replenished Flexicolor, hence swizzle stick to minimize air mixing into the color developer). I've never seen problems with it. I do the equivalent agitation by time -- 5-6 inversions in 10 seconds seems to be near enough to working nice long swizzle stick turns for the same time, which in my experience comes to about a dozen turn-and-reverse cycles per agitation interval.
I don't think I've seen swizzle sticks for Jobo reels, however, so I presume you're doing something like picking up the tank and swirling it -- which seems to me much more prone to show flow marks and unevenness. Not sure, though, haven't tried it.
Agitation: continuous. If that's not what you want to hear: anything you like, as long as it's enough. I'd say "agitate as frequently as feasible."
That pic in its own way looks pretty good to me. I can see it appealing to the new breed of colour film folk, a lot of whom seem to think of reporting Portra 400 to the appropriate authorities because it has been starved of colourWhatever you do, don't accidentally (or on purpose) run Gold 200 through an E-6 process.
View attachment 286413
The horror...
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