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620 film and its backing paper are identical to 120. The spools for 620 film are smaller, and the spool ends have different hole patterns.
As a result, most 120 film spools either won't fit into a 620 camera, or won't wind properly, or both.
In some cases, you can use a 120 roll on the feed side, and a 620 spool on the take-up side.
In some cases, cameras can be easily modified to allow 120 on the feed side.
Many people re-spool 120 film and backing paper on to 620 spools in order to use it in 620 cameras. There are a few tricks to doing so, so research how before you try it.
Make sure you keep your 620 spools!
I cannot help on the C-22 questions.
120 film and 620 film are the same size.
The difference is in the spool. In most cases, you can feed film from a 120 spool in a 620 camera but the take-up spool must be a 620 spool.
I bought two vintage cameras on Saturday. One was the brownie with exposed film inside, it is a 620 color negative specifying a C-22 process. Numerous posts have said I would be able to process it myself in D-76 chemistry, I use a stock solution and an Ilford fixer, are there any suggestions on developing and fixing times?.
Also, stamped into the metal inside the camera body it says "Do Not Use 120 Film" but the Brownie Hawkeye site my GF searched said it was possible, and even without respooling the 120 film. Again, the only difference I can see is a slight variation in the spool size, is it significant enough to disrupt the cameras function?
Thanks Ken, I shoot a lot of 120 myself since I was loaned my first Holga 120N, I now own two lol, I bought a spare when I heard the factory shut down, and now have a Diana F+ which my partner bought me on Valentines, add this Brownie I found and I'll be having some parties! I bought her an Ikimono 110 with a couple rolls of film (Lomo's Peacock Blue and Lobster RedScale), she initially looked at it with this WTF expression on her face... it took her a day or two but she loves it! she calls it her spy camera.If your Hawkeye is one of this type (but a non-flash model, with a metal, not plastic, film winding knob), then those earlier versions will allow direct use of 120 film and reels.
I know this because that's what I do with mine. I read somewhere that Kodak eventually modified the mechanism to physically prevent this 120-for-620 swapping, but I do not know for a fact that is true as I don't own a later version.
If you feel the need to experiment, I could send you a 120 reel that has the backing paper only (no film) wound on it. Probably 3 days from Seattle to San Antonio. You could test the film feed path if you like. For some anal reason I seem to save all of my 120 reels with the paper. I can't figure out why...
Ken
This is the full image. pre-crop. I was able to shoot the entire frame!Nice effect. Was this cropped?
My 3rd Hawkeye camera arrived today. I got all excited and bid on one, then won it. Oh well. At least this one is not broken anywhere, the body is perfect. That's rare. There are so many videos and web pages on how to clean and fix these things that I just had to try to do it. It is easy. And I added my own video to the Tube on how to patch the Bakelite. Auto body putty.
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