I started with the original Kodak Sepia toner with both of these papers. I find that if you pick one print, then print it on all of your papers multiple times, exactly the same way, you can then use these as a comparison for the various toner and paper combinations that you have tried. I have a stack of the same print, printed on all the different papers I use and toned with the various toners that I have tried and whenever I want to tone something I can pull that stack out, check to see the effects, and then make a decision based on that for the new print.
Tim Rudman's book is invaluable for toning, but in the mean time as a rough and simple starting guide; sepia toners tend to be lighter in effect than brown toners, and you can expect a stronger response with warm tone papers than neutral or cold tone papers. Toners may be heated for greater effect, and prints may be toned repeatedly, although the response will get stronger faster on subsequent toning. Wash well between bleach and redeveloper if you use a two bath toner, and you can place the print in the redeveloper first, wash very well, then bleach, wash again, then tone to get a mild sepia effect with the two bath sepia toner.
Toning is something that you could spend years working with. Start out simply, take notes, keep examples, and try different paper and toner combinations. And, most importantly, have fun with it!
- Randy