brown on edges is pretty consistent all the way around. I thoroughly rinsed the trays before starting a second batch and the problem was still present. Currently I’m the only one in the darkroom. And chemicals were all mixed fresh.
Thoughts?
Harman/Ilford have a contact form on their website you can use to reach out to them.
They also participate here - Start a Conversation with Harman Tech Service.
That paper can be challenging due to its tendency to float on the surface - is there any chance that those areas weren't well immersed in the fixer?
Harman/Ilford have a contact form on their website you can use to reach out to them.
They also participate here - Start a Conversation with Harman Tech Service.
That paper can be challenging due to its tendency to float on the surface - is there any chance that those areas weren't well immersed in the fixer?
Thanks Matt. That's possible. I'm working in an extra dark darkroom because the "safelights" were impacting the exposure (I'm printing on the wall). I do a pretty good agitation in the fix, and lay the print face down to help with consistency. But I suppose it's still possible. I'll reach out to the tech.
I agree that 5 mins seems excessive for fixing time, but I've never used Arista so I can't speak from experience. Also, many fixers are supposed to be diluted 1:9 for paper and 1:4 for film, at least this is the case for Arista liquid fixers.
It is possible with that thick paper, the edges are allowing a lot of chemical to enter the paper and might take longer to wash out. If a shorter fixer time works, that might help. A wash aid and a good wash, too.
brown on edges is pretty consistent all the way around. I thoroughly rinsed the trays before starting a second batch and the problem was still present. Currently I’m the only one in the darkroom. And chemicals were all mixed fresh.
Thoughts?