I think I have a fix for this.
I just got my SQ about 3 days ago, and shot my first MF rolls (ever!) today. I just encountered the same problem as the original poster. I managed to get through a roll of 220 using the multiple exposure/single exposure method. It was a real pain, though.
I did some digging, and here's what I found:
Here's the back of the camera body:
In order for everything to work right and the shutter to fire, the camera needs to know that the dark slide is removed and that there is film present. There are probably more interlocks with the lens and the viewfinder and the phase of the moon and all, but I'm just concentrating on the ones that I think may be causing the problem related to the back. Since these and the film advance gear are the only communication between the back and the body (at least on my SQ), the problem must lie somewhere in one of these pins:
When the camera is operated without the back installed, it behaves exactly as it did with my 220 back (the one that didn't work right)- the shutter cocks, but you never get to that "stop winding the film already and let me take a picture!" mode.
When the film interlock is pushed in, the camera behaves normally. Aha. So the problem must be in the film interlock.
Here's a picture of the back showing the film and dark slide interlocks:
Further inspection of my (good but quite worn and well-loved) 120 back showed a critical difference between the two backs:
Bad 220 back:
Good 120 back:
The pin that indicates whether film is present is bent on the 220. This pin engages in the little barrel thing on the base of the back. The barrel has its own pin, held captive. It is this pin that pushes on the pin in the body responsible for making the decision as to whether you get to fire the shutter or just wind film all day. The pin-and-mechanical interlock engineering department at Bronica must have been vast and well-populated.
So I got my handy folding knife, bent the pin on the 220 back (or, more correctly, the insert) so that it was in about the same place as the 120 back, loaded some film, and voila: the winding process stopped at frame 1 with the shutter cocked and ready to go. First frame went as it should, and the camera advanced to the second frame.
It's fairly easy to see how ham-handed assembly of the insert to the back (which I will freely admit to, being new to the system and all) could cause this. If the insert is put into the stationary portion of the back first, rather than into the rotating part of the cover, I think this problem will be less likely.
I have *NO* idea how the back knows whether it's got film in it or not. Nothing obvious appears to be going on here, so I'm going to assume it's magic for now because I've only got two backs and don't think knowing is worth sacrificing one of them. I'm just betting there's all sorts of little springs held captive somewhere. Springs that are yearning to be free and find a home somewhere unfindable behind my desk.
I hope this helps somebody in future to save a bad Bronica back.
Cheers,
James
Stillwater, MN