Ahh, the seductive voice of Midnight at the Oasis! Quite a career.The only time I was unhappy with the results was when I needed 400 speed and it was what I had in the camera. Plus Maria Muldaur sternly asked me what I was doing when I was taking her picture. So an unpleasant experience and disappointing pictures.
Otherwise it’s good film.
Both are good at reducing reciprosity failure (compared to conventional film), but I think Acros might be slightly faster there
Thanks. I sometimes take naps during my exposures...There's no comparison between the two in this regard. According to the data sheets Acros requires no correction out to 2 minutes, whereas T-Max 100 requires a correction after only 1 second.
TMax100 works just fine in D76 or XtolI shoot TMax100 at EI 80-100I'm wondering what you guys/gals think is the better film shot at box speed (or which is the faster film) between the 2. I'll be bringing tmax 400 in 35mm and 120 for the faster speed (I can shoot that at 200 as well) but would like some slower film for brighter outdoor scenes. I have bulk rolls of both, so both are an option, as well as rollei retro 80s, which only gets to 64 in beutler, as well as 1 last bulk roll of plus-X. I'm looking for a negative that I can enlarge to 11x14 if its a good shot, otherwise 8x10
the developers I use are
XTOL replenished
Pyrocat-M/HD
rodinal ( not a box speed developer but i have it)
others that can be made from bulk chems like beutler or d-76 etc...
so, any help or ideas would be very welcome!
John
Let me start with a useful quality of TMAX 400. It has incredible latent image stability. I once had an eight year backlog of sheet film to develop and when I finally did, the negatives came out fine.What are the qualities among Acros, Tmax, and Delta that you like and don;t like?
Bill: Glad to hear that. I have a roll of Tmax 100 that used 4 shots sitting in a hot garage (and cold too) for over a year. I was too cheap to send it out to process until I finish the rest of the shots. When I finally get the film shot and processed, it will be interesting to see how it handles exposed and unexposed portions sitting and then exposed afterwards.Let me start with a useful quality of TMAX 400. It has incredible latent image stability. I once had an eight year backlog of sheet film to develop and when I finally did, the negatives came out fine.
Better than Maria Muldaur's latent image stability?Let me start with a useful quality of TMAX 400. It has incredible latent image stability.
Alan:Bill: Glad to hear that. I have a roll of Tmax 100 that used 4 shots sitting in a hot garage (and cold too) for over a year. I was too cheap to send it out to process until I finish the rest of the shots. When I finally get the film shot and processed, it will be interesting to see how it handles exposed and unexposed portions sitting and then exposed afterwards.
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