That's the question. Companies like Coronet disappeared, presumably in the face of cartridge loading Instamatics with which they couldn't compete due to re-tooling costs. Instamatic 126 cameras were heavily advertised in the press and on TV, and box cameras came to be seen as old fashioned. Even so, I recall people bringing box cameras into the local chemist for him to replace and develop the film until about 1966, and he stocked a lot of old formats. This may have been because his shop was situated on the border between a working class area and a very wealthy, old fashioned one where people took that kind of service for granted.1967?? That is surprisingly long.
I assume the west-german Bilora Boy was last produced around 1960.
My guess is the general public were moving away from box cameras to Bakerlite viewfinder roll film P&S models from the mid-1950s, but small companies continued to service the demand until it was no longer economically viable to do so. Basic tool pressing shops could manufacture a box camera on simple machinery, plus a meniscus lens grinding machine (most likely sub-contracted and brought in). However cartridge loading cameras needed moulding tools and other registration machinery.
I think Coronet had been moving over to horizontal viewfinder cameras since the late 1940s, but kept box camera production going. They shared many parts with another manufacturer in Birmingham, the Standard Camera Co, who as far as I can tell produced traditional box cameras exclusively. Standard Cameras ended in 1955, so I'm guessing the market for them had become very small by that date. British box cameras tended to be 6 x 9, eight shots on 120 film, and undercut the US Brownie pricewise. There were UK produced 620 box cameras, but 120 was the norm. Most seem to have been basic in the extreme and built down to a price for a non-enthusiast market. There was nothing like the ZI Tengor made in Britain.Your Coronet seems to be an exception concerning production time.
That's right. Box cameras were an invention of the late c19th, and their heyday was the 1920 and 30s. By the post-war years they were seen as out of date, but there was still a demand for what box cameras offered, a way of taking photographs for people with no interest in the medium and often of limited means.Yes, the most basic plastic models from the 50s were the successors of the better box cameras: same features, but in a Barnack-style housing.
It's helpful to think of the subject in 3 categories. First, box cameras, secondly, post box cameras, thirdly, other simple cameras.If you are tracing looks vs characteristics, you will find different answers.
What are the characteristics?
Low cost
Basic materials
Simple construction
Basic shutter
Simple optics
Minimal settings
From this perspective I start to envision the Kodak Instamatic as the box camera of the 70s.
Yes, it was a familiar story. I guess some people just found paper backed roll film too difficult to handle, and suffered from it unwinding and fogging before it was securely attached. Loading and unloading was something the store did for a lot of people, and 126 and 110 cartridges saved the hassle, at the price of a considerably small negative/slide. Roll film lingered on into the small film era with 828, basically short 8 exposure 35mm film with a paper backing. People were used to having a very limited number of shots and found it acceptable.A few years later I and most of America transitioned to the 126 cartridge Instamatic 104 with its flash cube -- easier to load, but a much smaller negative.
Kodak, a few years later, went to 110 with an even smaller negative/cartridge for the amateur market, but I was into 35 mm by then.
Interesting. Note it doesn't include Zeiss Ikon Box cameras, the most sophisticated type ever madea good starting point for your further investigastions.
Agfa had so to say overnight to crank up the Karat system
The VHS-Betamax story, technical sophistication loses out to mass marketing. Ilford and others went the 126 route, but Kodak made their cameras cheap enough, the profit was in the film. A number of Kodak, Ilford and other named cameras were German made. British manufacturing was slow to catch on to the post-war camera boom, specialising in fine optical equipment but hardly big sellers.The type Rapid was technically the better system,
Looking at YouTube videos of box cameras, I began to wonder when the last traditional box style cameras were made? ...
If you are tracing looks vs characteristics, you will find different answers.
What are the characteristics?
Low cost
Basic materials
Simple construction
Basic shutter
Simple optics
Minimal settings
From this perspective I start to envision the Kodak Instamatic as the box camera of the 70s.
Most modern looking box camera? Eye level but in the box camera spirit, and made until 1966: http://www.brownie-camera.com/49.shtml
The Tengor was sophisticated for a box camera. I've been looking for a clean late model for a while, but there aren't many around.Apparently the final version of the Z-I Box Tengor was manufactured up to 1958. http://camerapedia.wikia.com/wiki/Zeiss_Ikon_Box_Tengor
The camera was designed by Kenneth Grange, one of mid-c20th modern's best known industrial designers. He shaped everything from razor blades to typewriters, and is best known for the 1970s High Speed Train, which is still running in the UK.Simple, yet highly appealing!
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