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- Oct 26, 2015
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I used to do colour printing for a number of professional photographers back when everything was on film.
Thousands and thousands of studio and wedding portraits.
You might have been bored by what I printed, but there were an awful lot of fine photographs of people.
Perhaps you are looking for the unique, when that isn't really what the photographers are aiming for.
The uniqueness may not be in the photograph, but rather in each subject.
And for what its worth, I think uniqueness in general is over-valued - a very fine photograph doesn't suffer because it has something in common with other fine photographs.
Very true. I was hoping that maybe a member of the target audience would speak up and give me some insights. Otherwise, to me it is a confusion on the part of the photographer between formula and creativity.And I totally understand why the change may not appeal to you - it doesn't really appeal to me.
But are we the target audience?
Most portraits are boring to me, I don't take them or spend much time looking at them (unless those few great ones by the masters).
I think the most boring and meaningless photography is stock or pseudo-stock photography. For example this random 'photography' page from the internet.
By definition stock photography has to be meaningless, because its meaning needs to be imparted on it from the context in which the end-user places the image.View attachment 326793
I guess another way to put it is boring portrait photography reminds me of stock photography. I can't tell them apart.View attachment 326806
What is a non-boring portrait series?
Hans Eijkelboom? Bruce Gilden?
It's not hard to do if you are talented, inspired and original.
Feel free to demonstrate.
I don't do portrait series.
I can see that a group of headshots with everyone looking straight forward like they are at the DMV or getting a passport photograph would get boring.
Then how can we accept your assertion that it's not difficult?
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