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Blank negatives and I don't know why

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mfratt

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I just developed a roll of film that I shot tonight and was very very excited about, and I pulled out a completely blank roll. I have no idea what caused it. Any advice?

Film: 120 Ilford Pan F+ 50
Dev: Xtol 1+3 @ 68F @ 12 minutes

I developed two rolls last night in the same fashion and from the same batch of developer and they came out beautiful.

I can't image its an in-camera problem.
Like I said, same soup as what worked last night.

???

Its really grinding me as to how excited I was about these negatives! I swear I had some of my best images yet on that roll! I just want to go back in time and get them back! Argh! (Sorry if I'm bickering, its 3AM here and I have no one else to vent at)
 
Dev: Xtol 1+3 @ 68F @ 12 minutes

Like I said, same soup as what worked last night.


How literally is that "same soup" do you mean you re-used the developer, because at that dilution it exhausts quickly, also keeps very poorly.

Ian
 
- I am certain that I used the chemistry in the correct order.
- No edge markings, nothing at all
- Same batch of stock solution, same mix date (about a week ago), not reused. Kept in capped 1L bottles. I diluted the developer 1+3 about 10 minutes before processing.
 
You may beleive it or not - you poured in the fixer first. There exist a tiny chance that the developer ist dead. But from working to totally dead in a few day - that is very unlikely. If the developer still exist you may put a small piece of film or even photgraphic paper in it to see whether it stiil works. If it works you'd get at least hints of the edge markings. Totally blank film means fixer first.
 
I always mark the containers for developer fixer and stop bath with different colours and follow the red blue green sequence.
 
- No edge markings, nothing at all

Sorry to say this but that is the gold standard of proof that the problem is "chemical".

Either the developer was totally dead, low probability, or fix got used first, high probability.

If the developer and fix were reused it's possible that the mistake was even made "last night" when you put things away and just "showed up" tonight.
 
As far as colour markings to keep chemical order straight, I use:

Brown for developer, since it stains trays brown and we keep it in brown bottles to keep it dark.

Red for Stop bath. Red means Stop!

Green for Fix: Green means Go! When it is fixed you can look at it.

White for washing.
 
That's why I like C-41 and RA-4, there is no question about what things are just from looking! If you can't tell the developer from the blix then it is time to mix a new batch :laugh:

With B&W it is tougher but by smell you can tell developer, stop and fixer pretty easily.
 
One slight wrinkle on the "fixer first" guess:

Especially if you use a pre-rinse like I do, it is fairly easy to miss the developer entirely - at least at 3 a.m..

A pre-rinse, stop bath, fixer routine is much less likely to give good results than a pre-rinse, developer, stop bath, fixer routine.
 
One might keep an inexpensive set of litmus papers around to do a quick test before development as well.

However, I'm with others in saying "don't develop film at 3am" :smile:
 
Edge markings would show up faint along with images even with exhausted developer... you fixed it first.
 
Hell, I do all my best work at those hours!

As do I... usually.

Its not possible that I fixed it first, as the fixer didn't even come out of its amber glass storage bottle until after the stop bath. And when I did fix it, I recognized the fixer's smell, identifying it as fixer. Also, I only keep one bottle of fixer mixed up on my chemistry shelf.

As for the developer, I mixed 100ml of developer with 300ml of water, then put it in the refrigerator for a few minutes because it was still a few degrees too warm. Is it possible that a problem came from the dilution? (I usually use stock or 1+1, but I've recently started using Pan F at night and was experimenting with trying to tame the contrast).

Or could the problem be related to processing one roll in a two reel tank? I used the loaded reel on the bottom with an empty reel above it and 400ml of solution. Agitated first 30 seconds then 4 inversion cycles every minute for 12 minutes.

I'm gonna try testing the developer on some paper or something when I get back in there... but I fail to see how developer from the same batch could be fine one night and dead the next.
 
I have the same problem a couple of weeks a go... No edge markings just completely blank. Turns out the problem was because i just installed a safelight and the film was exposed to the safelight...
 
I have the same problem a couple of weeks a go... No edge markings just completely blank. Turns out the problem was because i just installed a safelight and the film was exposed to the safelight...

Wouldn't this just cause the film to fog/expose?
 
Last time you used the chemicals, did you put the fix back in the developer bottle by mistake? That would definitely kill the developer. Otherwise, it was fixed first - everyone does it once.
 
If there were no edge markings, it is obvious that none of the latent images got converted to metallic silver before removed by the fixer.

If you still have the same developer, dilute it the same way, and use a clip of exposed film, such as some discarded leader from 35mm negs, soak it for the same amount of time, then fix. If it comes out clear, then your developer has failed completely. If it didn't somehow, the process was mixed up or reversed.

I find it hard to believe, a developer would fail this completely but test will show if it did or not.
 
If you still have the same developer, dilute it the same way, and use a clip of exposed film, such as some discarded leader from 35mm negs, soak it for the same amount of time, then fix. If it comes out clear, then your developer has failed completely. If it didn't somehow, the process was mixed up or reversed.

I find it hard to believe, a developer would fail this completely but test will show if it did or not.

You shouldn't even need to fix it - if you develop it as above in the light, it should turn black, and your test is done. If it doesn't turn black, the developer's done!

Duncan
 
You shouldn't even need to fix it

When I do my test, I develop it and fix it. If the developer didn't work, the emulsion will dissolve when fixed. If it did work, it will stay. Exposed film will already look milky and dark'ish. I do it my way so the test criteria is, is it transparent or not.

That's just my test process.
 
As for the developer, I mixed 100ml of developer with 300ml of water, then put it in the refrigerator for a few minutes because it was still a few degrees too warm. Is it possible that a problem came from the dilution?.

Yes, if you missed adding the stock developer, and attempted to develop the film in water alone:whistling:
 
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