You are slitting panchromatic film for your camera? You cant do that under any kind of light. Ortho film can be handled under a dim red light. Read up on the requirements of the particular film you are working with, the information should be on the manufacturers website.I'm thinking about using my downstair bathroom for some simple darkroom work. Mainly slitting film. I do all my developing from a changing bag to scanning upstairs in the kitchen, so no problem there. Slitting in the bag is a problem. I have a downstairs bathroom that has one small window I could somehow cover. And the door has light leaking around it so I would have to cover that as well. Then I guess I would have to see what I'm doing. I've never worked in a darkroom so I have no idea if I can use a special light ( red? ) to slit the film. Sealing the room needs to be reversible. Any suggestions on how to go about doing this?
Thanks.
You are slitting panchromatic film for your camera? You cant do that under any kind of light. Ortho film can be handled under a dim red light. Read up on the requirements of the particular film you are working with, the information should be on the manufacturers website.
Gaffers tape would be even better!And, if you decide on a non-permanent solution, do not overlook the usefulness of duct tape to hold whatever material to walls and other surfaces. Should just about block out everything.
Been a while, Matt. You are right.Gaffers tape would be even better!
Whenever I've cut 120 to either 127 (plus a 16mm strip) or 828 (and a 16mm strip) I've done the cutting in the light, with the film still on the spool, and only the respooling in the dark.
The fogging that occurs at the cut line is negligible, even on a 16mm strip for Minolta 16, as long as the backing paper stays rolled tight (some wide masking tape helps here).
How are you slitting in the light?
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