I've read about a technique called "black bounce," wherein a light is bounced off of a black surface. The reflected light is then used to light the image.
It seems to be a rather rare technique. Has anybody here used it, and if so, could you give some tips for using it? Thanks!
Having spent many years as a film lighting technician I can attest to the ideas expressed by some of the respondents to the OP. An unlit "Negative (or anti) Fill" is in fact a technique used to darken the offside of an object/person not being illuminated by a key light, by cutting out any ambient light. If the black surface is also placed at the angle of reflection equal to that of the angle of incidence of the taking lens, a black reflection can be observed in skin tones or other reflective surfaces (ala William Levitt's post). A "lit" black bounce is also useful to reduce the intensity of the bounced light as one of the other posters has opined.
Not trying to be a pedant here, but just for the record, a gobo, in motion pictures, is actually a solid bit of material (wood or metal) with shapes cut out and lit to project those bright shapes onto a surface. A large gobo (4' x 4') made from wood with random kidney shapes is called a Kookolouris or Kooky (named after its inventor). Smaller gobos, with cloud patterns, window frames, stars and constellations, moons, random patterns etc. and the like, are often used in profile spots that are used in live theatre or for backgrounds in stills etc. etc. Oft times leafy tree limbs are used to project random looking shapes as well or as really sharp shadows to imply sunlight through trees. In fact anything that can project a bright shape from within its own shadow could quite correctly be called a gobo.
Sorry to go on and on here ......... but what the heck.
cheers!
Sam