What issue? The OP already is not clear on his issue. Please describe your issue.That's the issue i had too.
The issue i had was the appearance of cracks/scratches in the base-side of my FP4+ sheets.What issue? The OP already is not clear on his issue. Please describe your issue.
Correlation is sometimes mistaken for causation. Most likely these marks are not caused by the water soak. If the initial water soak causes the problem, then it should do so with every sheet in the box, not only to random sheets.
Since the film was loaded, exposed, and processed in total darkness, you have no way to know whether or not the lines or cracks were present before the film was removed from its original packaging. Thus, an undetected manufacturing or packaging equipment error can’t be ruled out.
Perhaps reading my original post would help?What issue? The OP already is not clear on his issue. Please describe your issue.
Scratches resulting from abrasive movement of the film across the flap of the film holder that retains the dark slide along the short edge.
You seem to be the only person who actually read the original post!The issue i had was the appearance of cracks/scratches in the base-side of my FP4+ sheets.
I saw the same issue in tanks and trays. I read Ilford's advice on developing their film which included the recommendation not to pre-soak.
I stopped pre-soaking and the markings disappeared.
Mike
Thanks for the info. I'm (hopefully) going to shoot and process some large format Delta 100 tomorrow. I will skip any prewet. I use Jobo drums and tubes. I hope to have a couple sheets of 11X14 , I will use XTOL. I follow a similar process as you, always use Kodak hypo clearing agent to get the dye out.Perhaps actually read my post. They're not scratches from the holder. They're not in straight lines, but wavy with some going in one direction and curving in the other, the amount of play necessary to do that would be impossible with the limited side-to-side clearance in a holder.
They stopped when I stoppd doing the short pre-soak. They return when I do a 1-minute pre-soak. Haven't tested longer soaks, but it's 100% repeatable for me, across 2 batches of film.
I posted this here because I found many posts describing the exact issue, and only one with a solution. The solution worked for me, thought it might help others.
Perhaps reading my original post would help?
Getting a crack-like texture on the base side of the film, (every sheet, from 2 different boxes, purchased months apart).
They likely have a complete different reason for this advise.I have read the Ilford literature many times, but didn't take the part about "no" pre-soak very serious. Now I do! If Ilford/Harman would come out and explain why they don't recommend a pre-soak the mystery would be solved.
I'm with you Tom. For B&W it's almost all Ilford for me and I'd like to know what makes my film and processing work. Also what doesn't? I do pre-soak for my Pyro and Pyrocat negatives, but not for my Xtol-R ones.It would be helpful if Harman / ILFORD Photo could come on here and give a fuller explanation about pre-soaking and uneven development. I don't pre-soak B&W film but do C-41.
I'm with you Tom. For B&W it's almost all Ilford for me and I'd like to know what makes my film and processing work. Also what doesn't? I do pre-soak for my Pyro and Pyrocat negatives, but not for my Xtol-R ones.
It would be helpful if Harman / ILFORD Photo could come on here and give a fuller explanation about pre-soaking and uneven development. I don't pre-soak B&W film but do C-41.
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