kivis
Member
Which Nikon has the brightest, clearest Viewfinder? I need some eye relief. I do wear glasses but not strong ones.
I am constantly surprised that no one, AFAIK, has actually tested this.
Rigging up a light meter to the viewfinder and swopping screens and lenses across Nikon bodies with a constant light source. Is it perhaps the actual differences are too small? Not saying there is no difference to the photographer but I do suspect subjective bias. I have opinions on which I prefer but they are based on different scenes and illuminations and certainly the matching of screen to lens can have a dramatic effect, hence those lists Nikon produced when they made the vast choice of screens.
So, to the OP, that depends on the camera (prism performance, deterioration over time? clean mirror?) the screen and lens interaction and maybe the scene brightness as I find different screens are better for low light than strong light and of course vice versa. There is no single best for all circumstances, just IMHO.
Also a very bright screen can be harder to manually focus (without split screen etc aids ) as the contrast change is lower. When Hasselblad introduced the acutte matte there were complaints about focus being harder, they (actually Minolta of course) produced, quite quickly, a second version that was slight less bright to improve the contrast change at point of focus, be careful what you wish for.
The OP said 'brightest clearest'
Which Nikon has the brightest, clearest Viewfinder? I need some eye relief. I do wear glasses but not strong ones.
Out of the inventory of cameras you have listed, the Nikkormat FT2 with its K screen should be good enough. I am 59 with glasses and I'm happy.
I am constantly surprised that no one, AFAIK, has actually tested this.
Rigging up a light meter to the viewfinder and swopping screens and lenses across Nikon bodies with a constant light source. Is it perhaps the actual differences are too small? Not saying there is no difference to the photographer but I do suspect subjective bias. I have opinions on which I prefer but they are based on different scenes and illuminations and certainly the matching of screen to lens can have a dramatic effect, hence those lists Nikon produced when they made the vast choice of screens.
So, to the OP, that depends on the camera (prism performance, deterioration over time? clean mirror?) the screen and lens interaction and maybe the scene brightness as I find different screens are better for low light than strong light and of course vice versa. There is no single best for all circumstances, just IMHO.
Also a very bright screen can be harder to manually focus (without split screen etc aids ) as the contrast change is lower. When Hasselblad introduced the acutte matte there were complaints about focus being harder, they (actually Minolta of course) produced, quite quickly, a second version that was slight less bright to improve the contrast change at point of focus, be careful what you wish for.
I sold my FT2 because the viewfinder was not too good. It had the K screen. You have great eyesight.
Of the Nikons I've owned the best viewfinder was the one in the F2AS and F3. And also the one in the FG, very good indeed.
All of them are good enough but all of them are still inferior to the one inside the allmighty Canon New F-1.
It would be interesting if you could say how much brighter, and you will note I made it very clear that brighter may not be best for focussing but it may be for framing under low light, best is too broad a term, best for what?
It would be interesting if you could say how much brighter, and you will note I made it very clear that brighter may not be best for focussing but it may be for framing under low light, best is too broad a term, best for what?
I was wrong! I use my Minolta booster II and the flashmeter III to measure the VF brightness. I pointed the camera to my monitor, each one with the 85mm f/2 AI lens mounted. The monitor is displaying a full bright image (255,255,255). It's 100cd/m^2.
I only have a few Nikon and the older cameras are brighter and in that order.
1. The brightest one is the Nikon FM.
2. Second is the F3HP (with a type P screen) which is 0.2 stop darker.
3. Third is the N2020 which is 0.4 stop darker than the FM.
4. Fourth is the F5 which is 1 stop darker than the FM.
5. Last is the newest Df (a digital but well) which is 1.2 stop darker than the FM.
I think the ease of focusing is also in that order with the exception I think the F3 is slightly better than the FM.
I am too far down the Nikon rabbit hole to change over. (Been shooting Nikon's for 41 years and counting). By bright VF I mean what ever allows me to see easily in bright sun as I live in Southern Florida, USA. I love the bodies I have but was wondering if there is another Nikon body with a brighter VF. Tempted to give a Nikon F3HP a try.
I only have a few Nikon and the older cameras are brighter and in that order.
2. Second is the F3HP (with a type P screen) which is 0.2 stop darker.
I think the ease of focusing is also in that order with the exception I think the F3 is slightly better than the FM.
It is indeed good and bright (the only downside is the undefined rangefinder patch), but if you wear glasses I think the Nikon SLRs are more usable. I wear my contacts everytime I want to use my rangefinders.By many accounts, the Nikon S3 rangefinder camera has the brightest viewfinder of them all. Although I cannot verify this with personal experience, as I've never used one.
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