... but requires some explanation which, as usual, the Jughead types will instantly object to. Let's just say,
Ektar is for adults, and if you prefer to sniff glue and worship Justin Bieber, it might not be the best film choice for you.
......I would like to know what is in your opinion the best negative film for both tasks, in terms of color rendition and realism.
Cheers,
Nico
Personally, I treat Ektar like a chrome and shoot it at 80 to 100 with super-careful metering, and I shoot Portra 160 at about 100-125 just to be on the safe side. That's not so much over-exposure as to cause pastel issues or affect contrast, but it really reduces the chances of colour-cast issues in the shadows where one colour layer has dropped off its toe and the others haven't.
In contrast I find Portra rendition excruciatingly bland and boring, to such a degree that I promised myself never to shot it again (pity Ektar is not available in higher ISO when one needs it). I gather Portra was conceived to appeal to the sensibilities shaped by the digital "neutrality".
So if I have understood correctly, you overexpose a little bit and then you let the films be developed at their nominal speed?
My only concern is related to the fact that normally Portra is the standard film for portraits, and since I also have to deal with portraits within the same project, I have to take it into account. Unless somebody can convince me with some sample portraits shot with EktarI am actually googling around to find comparisons...
Unless somebody can convince me with some sample portraits shot with EktarI am actually googling around to find comparisons...
..... sample portraits shot with EktarI am actually googling around to find comparisons...
I.G.I., thanks a lot for the picture samples and the link, they are really self-explanatory. In the end, since I use to scan from negative, any subtle tonal adjustment can still be made in post-processing. I have decided to give all these films a try: this weekend I will start shooting a mix of landscapes and portraits with both of them and then decide myself which one suits me better... probably this is the best solution.
Portra 160 is the obvious answer. Fuji Pro160(N)S would be just as good though slightly less fine-grained.
Ektar has more snap (nice for landscape) but it's really easy to get red faces with it on caucasians, especially if they're cold!
My only concern is related to the fact that normally Portra is the standard film for portraits, and since I also have to deal with portraits within the same project, I have to take it into account. Unless somebody can convince me with some sample portraits shot with EktarI am actually googling around to find comparisons...
I would like to know what is in your opinion the best negative film for both tasks, in terms of color rendition and realism.
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