Here is an overview over the resolution abilities with high contrast details in lines per millimeter of some (already mentioned films) as an orientation, how "sharp" you can get. These numbers are in reality (with normal, pictoral contrast) a lot lower, maybe only two thirds:
Best,
Andreas
Andreas,
Can you tell us where these numbers come from?
Thanks,
David
Andreas,
Can you tell us where these numbers come from?
Thanks,
David
... The best I ever reached in terms of resolution during 15 years of shooting (not laboratory tests) is a negative which resolves about 160 lines per millimeter. I could "count" that because there was a very small label in the picture with the letter "E" which are vertically five bars. ...
I counted them as five lines and multiplied with the magnification factor. That seemed to be intuitively logical to me.Andreas
As how many lines (as in lines per mm) did you count the five bars?
This is an important point. I think the numbers are for lines per millimeter (lpm) not line pairs(lppm). This fits to resolution numbers for lenses that I know and to that what I can see in some of my negatives. Else my best lens resultion test negatives would only be half as good as they theoretically should be. But as I´m not totally sure, I like to ask the experts and maybe they who have read some of the recommended literature, which is right.The numbers begin to make sense when they are line pairs per mm. Too low if only lines per mm.
The numbers begin to make sense when they are line pairs per mm. Too low if only lines per mm.
...and to add one argument more for lines per millimeter: In the FUJIFILM Professional Data Guide from 2002 Fuji tells the resolving power of their films but unfortunately only for colour negative and colour slide. The best resolving film there is the Velvia with ISO 50: resolving power at 1.6:1 - 80 lines/mm and at 1000:1 - 160 lines/mm. As the numbers in the posted table are for the high contrast (1000:1) it would imply that b/w films are about twice as good in resolution as colour slides are, in case the numbers stand for line pairs and not only single lines.The numbers begin to make sense when they are line pairs per mm. Too low if only lines per mm.
I counted them as five lines and multiplied with the magnification factor. That seemed to be intuitively logical to me.
Andreas
This is an important point. I think the numbers are for lines per millimeter (lpm) not line pairs(lppm). This fits to resolution numbers for lenses that I know and to that what I can see in some of my negatives. Else my best lens resultion test negatives would only be half as good as they theoretically should be. But as I´m not totally sure, I like to ask the experts and maybe they who have read some of the recommended literature, which is right.
Just to add: If I look at the MTF chart in this tech. pub. for TMAX 400: http://www.kodak.com/global/en/professional/support/techPubs/f4043/f4043.pdf
Regarding that I would also speak for lines per millimeter since at 80 cycles per millimeter which for me are analog 80 lines per millimeter
Sorry to burst your bubble, but this is not correct. Both terms 'lines per mm' (l/mm) and line pairs per mm' (lp/mm) mean exactly the same. You can either count the white lines of a target, the black lines, or the number of pairs but not black and white lines together. [...]
That suprises me, because it seems to be far away from the things I can see on my films. But I´m ready to accept it. It should mean for me that I´m only on the half way and not at the limits, which would be good.Well no.
The figures are decidedly too low for lines per mm.
Lens resolutions for half way decent lenses are also way up, in the region of 100 to 200 line pairs (!) per mm.
Did you ever see something in this resolution´s regions on film, equal if test target or real life´s fine detail? Because the 200 lpm (which is very near to your claimed 180 lpm) for TMAX 100 are definitely for 1000:1 and at 1.6:1 you would have only about the half, so for a pretty usual 100:1 scene I would suggest a resolving power not over 150 lpm for this film.In real life scenarios, a 'normal' film like T-Max will record up to 180 line pairs per mm. Portra about 140 - 160 line pairs per mm. Ektachrome 100 VS did manage 130 line airs per mm.
If your true at this and I would hope that for me, because else some other resolution numbers I have in mind as cornerstones would crumble, then there would be a huge confusion in the literature, the producer´s tech pubs and the internet anyway. As I said the FUJIFILM brochure definitely speaks of lines/mm (In German: "Linien/mm") and claims 160 of that for Velvia at 1000:1.Line pairs per mm are definitely not the same as lines per mm.
Did you ever see something in this resolution´s regions on film, equal if test target or real life´s fine detail? Because the 200 lpm (which is very near to your claimed 180 lpm) for TMAX 100 are definitely for 1000:1 and at 1.6:1 you would have only about the half, so for a pretty usual 100:1 scene I would suggest a resolving power not over 150 lpm for this film.
If your true at this and I would hope that for me, because else some other resolution numbers I have in mind as cornerstones would crumble, then there would be a huge confusion in the literature, the producer´s tech pubs and the internet anyway. As I said the FUJIFILM brochure definitely speaks of lines/mm (In German: "Linien/mm") and claims 160 of that for Velvia at 1000:1.
Then I have an very useful book full of photographic charts and figures. There is a very interesting one about the theoretical maximum resolving power of lenses at a given aperture - the perfect lens only limited by diffraction due to the apertures size. For instance for f/2.8 (and 486 nm wavelength of the arriving light) it says 590, for f/4 it says 417 and for f/22 only 75 lines per millimeter ("Linien"). If that was really lines and not pairs then the Zeiss' Biogon f/2.8 25 mm with 400 line pairs must have beaten the diffraction limit...
So I think, and here I must accept again, that I have to revise some resolution facts in my mind, that when you read "lines per mm", it really means the same as line pairs per mm. As Ralph has said.
By the way: have you calculated the resolution limit using the formula you must also have found in that book?
Andreas, do you know what would be the numbers for Kodak Tech Pan?
... I'm sorry Ralph, but you can.
Line pairs per mm are definitely not the same as lines per mm. ...
[...] I admit that I have only 30 to 40 lpm there in my "sharpest" sheet films, [...]
AFAIK line pair refers to 1 black and 1 white.
Andreas, the circle of confusion expanded hugely when you introduced that new "lpm" concept. Lines per meter? Or line pairs * meter (i.e. the total number of line pairs on a stretch of a variable amount of meters long)?
:confused:
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