Has the OP bought anything yet??
One necessary accessory for practical work using an Elmar is the little prong(since I never had to buy another I forget the catalog code) that fits into lens shade, so that f stops can be changed while using filters and lens shades.
Threads on Photrio are never about the OP. They are so we can argue amongst ourselves.
In USA, clean late 3.5 coated Elmers are also approaching $400-500 from a trustworthy vendor like Tamarkin. Add the right hood, the aperture device, and some 36mm push-on filters, and you are in the $500+ range. A decent 2.8 Elmar is even more. Where does this inexpensive Elmar folklore come from?
Thanks for the input everyone!
My budget is around $300 - $400 USD, and I’m in New Zealand so eBay is about the only option since the local market for LTM glass is pretty much nonexistent.
I definitely don’t hate my chrome Canon 1.8, but weight is an issue, and the newer black barrelled ones just look a little out of place on a barnack (and seem to suffer much more from the Canon Haze issue). The lens itself is beautifully made.
I have an Elmar clone (Industar 50), and it’s pretty subpar. It’s quite low resolution and flarey, which is surprising considering it’s a Tessar. I feel like finding an Elmar that is much better would be almost as hard as finding a clean summitar.
I did look at the Skopar, but prices have gone way up recently and for that kinda money I’d probably prefer to get some clean leitz glass. I’m also concerned that it’d be too contrasty?
"Pixel peeping" Yes.I guess the op is still looking? My recommendation (other that the Summar, which is in first place, but that's just my personal preference) is my usual one.
Just put a J8 on it, and use the extra money for film, papers, chemicals, etc. They would learn much more that way, and their photography would improve a lot.
I hate to say this, mostly because it applies to me too!, but this whole thing can become the equivalent of pixel peeping, to use a digital term. One person prefers one type of lens, another likes a different lens, and on and on. It can default into a decision being made by committee, tallying up the votes, and we all know where that leads. Just stick the J8 on it (which is a perfectly nice lens) and get out there and take some pictures.
Continuing the arguments....If collapsibility is desired, I'll mention for the Canon Serenar 50mm f1.9. At 230g (according to the Canon Lens Hall), it's slightly lighter than the OP's Serenar 50/1.8 at 270g, but perhaps more front heavy when extended. Aperture is not clicked and it does have some "character" at the wider apertures. A few review links from a blog (not mine, but by forum member @02Pilot):
Meet the Lens: Canon Serenar 50/1.9
Some lenses are almost universally loved, others are not. Advocates of the latter tend to speak of “character” instead of more easily quantified measures like resolution, lack of distor…filmosaur.wordpress.com Lens in Depth: Canon Serenar 50/1.9, Part 1 – Color
As you may have read, I’ve recently acquired a very nice example of this lens. There’s not a lot of information out there about it or samples from it, the later Canon LTM normal lenses …filmosaur.wordpress.com Lens in Depth: Canon Serenar 50/1.9, Part 2 – Monochrome
Having taken a look at the color side of things here, we now turn to monochrome; without a doubt, this lens will see far more use with black-and-white film (as will most of mine these days), so the…filmosaur.wordpress.com
Here are some image samples I've taken:
2017.07.22 Roll #115-01254-positive.jpg by dourbalistar, on Flickr
Here it is stopped down:
2017.07.23 Roll #117-01290-positive.jpg by dourbalistar, on Flickr
Maybe a hint of veiling flare on the left side of the frame here, but for a lens that was originally introduced in 1949, maybe it's just the condition of my copy:
2017.07.22 Roll #115-01275-positive.jpg by dourbalistar, on Flickr
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