The V54 lamp upgrade happened a number of years ago. Although I do still have the unit, I have since moved to a dual-grid Aristo VCL4500 variable contrast light source.
But back then the upgrade was a big step in terms of being able to reproduce more evenly spaced contrast grade levels. However, I was using Ilford MGIV and a below-the-lens Ilford VC filter set at the time, and I did see an issue.
In my workflow I noticed that there was a rather large grade jump between 1.5 and 3, without an ability to get much else in between. I stress that this observation
was only from my own darkroom. But in actual use my filtration sequence appeared to progress somewhat as follows:
1.50=1.50 > 2.00=1.75 > 2.50=1.75 > 3.00=3.00
I note that the 1997 Howard Bond article reproduced in the Aristo Archive
("V54 Cold Lamp Color") makes no mention of this gap, so maybe it was just me. But it was this apparent gap that eventually moved me on to the VCL4500 unit.
I continue to keep the Zone VI unit around for those cases of very dense negatives, as the V54-HI lamp is
very bright. When enlarging normal density 35mm negatives to 8x10 I used to routinely place a circular-cut 2x neutral density filter inside the cylindrical can (on top of the diffusion disk) to cut the light down to something more workable at the optimum apertures of my enlarging lenses.
But in some cases this brightness can also be very useful, since with diffusion there are no condenser lenses available to concentrate the illumination when you might need to do that.
Ken