https://www.bhphotovideo.com/c/prod...film_continuous_tone_developing.html/overview
Has anyone here used this creature for making in-camera original negatives rather than duplicating/enlarging negatives? I'm intrigued by the extreme slow speed (I need something painfully slow to use with my big brass petzval lenses so I don't have to shoot stopped down to f16 or lower in daylight), but I am concerned about the fact that it's blue sensitive and how would you deal with that for pictorial applications? Throw daylight correcting gels on your tungsten lights? and how would you meter and adjust exposure for the color correcting?
Has anyone here used this creature for making in-camera original negatives rather than duplicating/enlarging negatives? I'm intrigued by the extreme slow speed (I need something painfully slow to use with my big brass petzval lenses so I don't have to shoot stopped down to f16 or lower in daylight), but I am concerned about the fact that it's blue sensitive and how would you deal with that for pictorial applications? Throw daylight correcting gels on your tungsten lights? and how would you meter and adjust exposure for the color correcting?
