• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

baryt paper nowadays

Cyanotype stereo card

A
Cyanotype stereo card

  • 0
  • 0
  • 13
IMG_0025.jpeg

A
IMG_0025.jpeg

  • 0
  • 1
  • 11

Forum statistics

Threads
203,126
Messages
2,850,257
Members
101,690
Latest member
nisherii
Recent bookmarks
0

danzyc

Member
Allowing Ads
Joined
Aug 23, 2007
Messages
139
Format
35mm
hello! i always have used agfa mcc 111 and i love it with bergeer prestige, could you suggest me nowadays a very good baryt paper?? foma or efke?

thanks
 
I think the Foma MG Classic 131 for glossy and 132 for matte is what you're looking for.
- Thomas
 
THe Foma 112 is also a good alternative less warm green than the 132 and truely different from the 111
 
Another vote for Foma. I have been experimenting with Fomatone MG and despite the fact that it is so slow I find it give excellent tonality and the print colour can be easily modified depending on developer choice. I like the way it dries with minimal curl and its response to both selenium and gold. It does not have the red colour that I used to get when toning Forte Polywarmtone in Selenium. Have a care not to overdo the toning though. Overtoned in gold it is not attractive.

Also Adox fineprint VC. A neutral paper that agian is responsive to various developer types. Not as receptive to selenium but does tone to aubergine, I have yet to try it in gold toner.

The RC version also tones quite readily and this makes it useful as a proofing paper.
 
foma variant 111 in some warm-tone developer will looks nice and not very far from the great MCC 111 (was one of my fave papers)
 
I'm a fan of the Foma graded papers, although they can be hard to source in some parts of the world (eg the UK!). For an everyday paper I like Fomabrom 111, although in my experience it is rather contrastier than the grades would suggest (eg the "normal" grade is quite hard). Also, it has a tendency to be ever so slightly cold, so a warm developer works best to get a neutral finish. It's a nice heavy weight, and the glossy version also glazes well, if that's your game! I also like Fomatone MG Classic 131, although only in those situations that demand a really warm image; I find it much warmer than, say, Ilford FB Warmtone.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom