If having trouble I'd strongly look at their "best practice" document. I've shot two Alpha rolls and one from recent production and I found that shooting at 80ASA yields the best results with ID-11. The negatives I shot at 50ASA, which some recommend, were indeed very dense - though I have been able to get excellent scans and darkroom prints from them. What I find most striking is it's ability to deliver photos of moody, cloudy skies without use of a filter and the near total lack of grain. In medium format and larger this is going to be something very special. I can imagine huge enlargements from a 6x6 or bigger negative.
Thanks to all of you. I will not last forever, nor will any of the dyes in any color product by any manufacturer.
Best wishes to you all.
PE (Ron Mowrey)
If anyone has not done so already, I recommend you watch thus recent podcast with Dave Bias about Film Ferrania.
https://www.stitcher.com/podcast/christine-bartolucci/analog-talk/e/67292217
Can you just give us the highlights? The podcast is 66 minutes long.
When P30 becomes available in 120 it's going to be a game changer for those who like undetectable grain and/or large enlargements.
Still no 120?
Still no 120?
Either that, or they had all the time they needed to plan and do paperwork and have one or two men living in the factory to get the machines running, and do RnD.in fact when I just looked - 2021-03-10-21:33 EST - the 35mm is out of stock! Can't imagine that they got much done over the summer with the lock downs. Fingers crossed that we hare some good news soon.
Any word on if they will ever do color films?
Maybe because of it?Color film is delayed for the short and mid term. A strategic decision was made to focus first on BW (it is much easier in R&D and needs less investment) to build a certain base / fundament and financial stability for the long term targets.
And the pandemic has generally created new hurdles and challenges for all manufacturers. Whereas the film demand is further increasing despite the pandemic (which is principally very good of course), the manufacturers have to fight against problems in the supply and production chains.
Best regards,
Henning
Maybe because of it?
I think this is going to be radically different than the recession of 08, that dealt a hard blow to anything film.Well Helge, digital imaging - especially the sales of digital cameras - was hit very hard last year. The sales numbers collapsed (and they are decreasing for about a decade now).
That is why I have written 'despite' the pandemic (and we all know that most business fields were and are hit by the pandemic).
So the encouraging signal for us film enthusiasts is that the film resurgence is demonstrating a strong robustness, a resilience.
And 'because of it': Yes, in certain smaller segments of the market. For example during the lockdown time film photography beginners had time to learn about film development at home. Sales of film processing equipment and photo chemicals increased disproportunately high.
Best regards,
Henning
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