IMO, photographers do it by seeing the colors and working with them. Color can be as much as the subject as the objects reflecting them (same as light in B&W images.).
IMO, photographers do it by seeing the colors and working with them. Color can be as much as the subject as the objects reflecting them (same as light in B&W images.).Painters can intentionally manipulate and alter color; photographers generally have colors given to them.
How so? I took a picture of a red building the other day. Red, indeed, was as much the subject as the 1920's gas station building was. The two aspects were inseparable. I saw it to be red; how would I work with that color that other than to use film, Like Ektar, that emphasizes the red, or a film like Portra 160 that "pastelizes" the red. Slight variations on the color red. Is that what you meant?IMO, photographers do it by seeing the colors and working with them. Color can be as much as the subject as the objects reflecting them (same as light in B&W images.).
How did the Peruvian s get to Egypt 3600 years ago? And how come there are no records anywhere that this occurred? Isn't it more likely that the cartouche wind up in Peru recently either by accident or deliberately to try to make it seem there was actual trade 3600 years ago?I love Peru without a compelling reason.
I was told by a Peruvian historian that they had found a pharaonic cartouche in Peru.
And when he inquired about this matter in Egypt from the historians, they did not find an explanation for this matter.
But one of the scholars of Islamic history told me that this may go back to the era of (Nabi Yusuf) when he was working in Egypt as Minister of Agriculture and Foreign Trade.
And when delegations from foreign countries came to buy wheat from Egypt during the drought years. (Nabi Yusuf) was giving them a (Pharaoh's cartridge), which is like a bill on which the quantities of wheat and the amount of money he received in exchange for this wheat were written.
This means that there has been commercial exchange between Egypt and Peru for nearly 3600 years.
This is strange and surprising.
Understood. I guess we are a bit different. I find composition of the naturally-colored world a lot easier than “another layer of complexity” by representing color as tones of grey.No -- more compositionally. For example, a singular bright red building would almost have to be treated as one would treat a bright area of a B&W scene. Its location in the frame will have some control the movement of the viewers' eyes within that frame.
To do color work effectively is to throw another layer of complexity over working in B&W, IMO.
This means that there has been commercial exchange between Egypt and Peru for nearly 3600 years.
This is strange and surprising.
Folks - a little thread drift is expected, but this is enough to raise a moderator's hackles!How did the Peruvian s get to Egypt 3600 years ago? And how come there are no records anywhere that this occurred? Isn't it more likely that the cartouche wind up in Peru recently either by accident or deliberately to try to make it seem there was actual trade 3600 years ago?
God created life in color. Color is the real world
Black and white world of dreams.
I am a dreamer.
"You may say I am a dreamer, but (you) are not the only one ..."I am a dreamer.
God created life in color. Color is the real world
Black and white world of dreams.
Subject. Weren't we talking about archeology?Folks - a little thread drift is expected, but this is enough to raise a moderator's hackles!
Back to the subject please.
If color film came out before BW film, we might not even be shooting BW.Cute, but utter nonsense.
Few works as "dreamier" than Saul Leiter's color work.
And when I think of all the great photojournalists from the 30s, 40s and 50s - from Dorothea Lange to Eugene Smith to Cartier-Bresson to Robert Capa - I see reality, and a will to show reality. A lot of the stuff they showed you couldn't dream of.
Carry two cameras, one for color and one for black & white, or two film backs. Color compositions and black & white compositions take different thinking. Doing both at the same time out are good for personal growth and development.
If color film came out before BW film, we might not even be shooting BW.
God created life in color. Color is the real world
Black and white world of dreams.
Dreams are an authentic and legitimate right for all people, and they are free.I am a dreamer.
Hello my dear brotherGod created LIGHT in witch life is evolving, and colour is a part of it. The creation of life was a later step in that creating process.
Black and white are technically no colours, BUT, black is NO light (zero intensity) and white is ALL light (maximum intensity), and in between are all the shades of intensity of all kinds {among them greys (more than 50...)}.
So, dear Mohmad, to my humble and non theological opinion, Black is before, and White is after God created light. Witch gives to B&W a broader 'sight'...
OK .DONFolks - a little thread drift is expected, but this is enough to raise a moderator's hackles!
Back to the subject please.
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