When Henry Rasmussen puts together an issue of B&W based on not only his own predilictions, but also on the curatorial skills, and good taste of prominent gallery owners and collectors who, by their choices, also reflect the market worthiness of the work they publish...well that's one thing. When Mr. Rasmussen and his staff take it on themselves to jury an array of new work (and some not so new) and present it unilateraly, that's another thing altogether. I hope to get a chance to see this issue eventually, but I don't have the same expectations for it that I do for one of the regular issues. (I wonder about Brooks Jensen of Lenswork as well...I'd love to see some of the stuff he chooses NOT to publish. That entire magazine is based on his estimation of the quality of the photographs in each issue. Usually I agree that the work he publishes is pretty well chosen, but I realize I've no idea of what the unpublished submissions look like and wheter I'd agree about whether or not they were worthy.)