And Doremus Scudder found the graph, I was wrong - it lets less green than I thought… about 1/630th of the green gets through.
Also I found the siamese cat, it’s in the filters guide.
Note: the siamese cats show how fog ruins prints. When you fog a negative, you can correct for it when you print, fog doesn’t ruin a negative as secerely as it destroys a print.
I have tried it with several different pyro developers and never had any issue with the green light affecting my film. As a matter of fact, at one point I had a 10x12" safelight with the requisite green filter mounted directly behind the developer tray and short bursts of light toward the end of development was no problem.