WIll you be scanning the film and/or printing chemically from it? Your darkroom or commercial lab?
In London, U.K., where the OP is situated I doubt this to be the case. I have never even seen this film at any U.K. retailers. Given our light conditions for most of the year and the required speed for such conditions I'd go for a 400 film. D400 has finer grain but is more expensive than HP5+ and unless you are willing to pay for and need enlargements bigger than 8x10 from your lab then HP5+ has a lot of versatility. Cheaper but not by that much in the U.K. is the Foma range. Try Foma 400 as well. If you are rich try TMax 400Ultrafine Extreme is great... and it’s cheap!
I'll be using a processing lab. I emailed them today to enquire about their prices. I want the film processed and scanned.
You're in London so Ultrafine Extreme isn't going to be easy for you to obtain.
I believe that UFE is rebranded Kentmyer which you ought to be able to find in London. I use UFE as my walk around film, ISO 400 can be grainy you need to work with a lab that uses a suitable developer. Here in the US many labs use Extol not sure what is used in the UK. One word of caution, Kentmere and UFE does have a antihalation coating or the coating is very poor, it is easy to blow out highlights. For your first 5 rolls I would give Ilford HP5 or Delta 400 a try.
Ask your lab - they probably see a fair amount of film.
I would add that the quality of scans I get from MYSELF tends to vary a lot more than any diffrences between films. The OP won't be scanning, but one of the things I like about UFX is how flat it is. It may be the lack of the anti-halation layer someone else mentioned. If Kentmere is the same, that is something to keep in Mind for those who scan their own film.I don't know how much you care about the scans or what you intend to do with them, but my experience here in the middle of the US suggests the quality of the scans I get from different labs varies a LOT more than any differences between films. The situation may be different in London, but if I were you, I would get some local recommendations before deciding on who is going to scan the negatives.
So true. I have been d.i.y. scanning using both a film scanner and my digital camera; each has it's strength and weaknesses. I recently "scanned" a roll of Kentmere 100 (photographed with my digital camera), and it was pretty easy going. I don't have any recent lab scans of B&W film, so I can't say how my home scans compare, but if anyone wants to see them <click here>. Overall, I was very pleased with the Kentmere 100. For an all-purpose walk-about film, I might have liked a little more film speed, so I am eager to try the 400.I would add that the quality of scans I get from MYSELF tends to vary a lot more than any diffrences between films. The OP won't be scanning, but one of the things I like about UFX is how flat it is. It may be the lack of the anti-halation layer someone else mentioned. If Kentmere is the same, that is something to keep in Mind for those who scan their own film.
IlfordFP4+ and Kodak Tmax100I'm hoping this is in the right section of the forums!
As a total beginner in B&W film, I'm looking for recommendations on which B&W 35mm film I should try out. I want to buy a few rolls, say around five rolls, to try out in various old cameras. My test shots will be landscapes, portraits and close-ups. I want to try several different types out before settling on one or two.
I don't know how much you care about the scans or what you intend to do with them, but my experience here in the middle of the US suggests the quality of the scans I get from different labs varies a LOT more than any differences between films. The situation may be different in London, but if I were you, I would get some local recommendations before deciding on who is going to scan the negatives.
Any of the films from the major manufacturers are fine.
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