albada
Subscriber
I'll start with the result and my question first. I mixed 50 ml of a developer based on this formula: 60 g/L sodium carbonate (anh) and 20 g/L ascorbic acid. This soup blackened a film leader in 15 minutes.
My question: Has anyone heard of or used a developer consisting of ascorbic acid and no other developing agent?
As background, I was reading the article, "The Genesis of Xtol" (Photo Techniques, Sep-Oct 1999), and encountered these paragraphs:
As this point, it appears that Sylvia's original formulas that produced such good image quality were based solely on ascorbate and no secondary developer. I mixed the dev described above in order to verify that ascorbic acid in a rather alkaline solution could in fact develop film.
Kodak would not accept a soup that would be short-lived. But we can accept it, if we mix from concentrate and use the working solution soon, one-shot. We know that ascorbic acid has good longevity when dissolved in glycol, so such a soup is feasible for us. Has anyone tried this ascorbic-only approach?
Mark
My question: Has anyone heard of or used a developer consisting of ascorbic acid and no other developing agent?
As background, I was reading the article, "The Genesis of Xtol" (Photo Techniques, Sep-Oct 1999), and encountered these paragraphs:
Enter serendipity. Among the developing agents Silvia explored in the search for better solubility was ascorbic acid and its derivatives (one of which, as is well-known, being Vitamin C). These indeed offered easy solubility, but, significantly, she was also finding DQE values [a measure of overall image-quality] that clearly exceeded the best that could be achieved with hydroquinone-based mixes!
[skip down a few paragraphs]
It has long been known that derivatives of ascorbic acid can be used to develop camera-speed black-and-white films. Their primary failing had been in the area of shelf life: They worked fine when freshly mixed but deteriorated quickly. Experimentation showed that that failing could be overcome by formulating the mix at a near neutral pH rather than the decidedly alkaline values characteristic of earlier formulas. Unfortunately that produced a much less reactive solution with exceedingly long development times. That problem was, in turn, overcome by incorporating a small amount of a phenidone derivative. This proved superadditive with the ascorbate and brought development times back to acceptable values. [...]
As this point, it appears that Sylvia's original formulas that produced such good image quality were based solely on ascorbate and no secondary developer. I mixed the dev described above in order to verify that ascorbic acid in a rather alkaline solution could in fact develop film.
Kodak would not accept a soup that would be short-lived. But we can accept it, if we mix from concentrate and use the working solution soon, one-shot. We know that ascorbic acid has good longevity when dissolved in glycol, so such a soup is feasible for us. Has anyone tried this ascorbic-only approach?
Mark