... in fact, people who have spent a lifetime sometimes studying and trying to understand art, provide new insights or a different way of thinking about it are constantly denigrated as "ivory tower academics"
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Even more incomprehensibly, there seems to be some assumption that artists go about their business in some sort of mystical way, that they do their work as a result of some sort of upwelling of transcendent wooziness; whereas the most cursory reading on the history of art reveals movement after movement of artists who write manifestos, books, pamphlets, create extraordinary theories about art...
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All the professional artists I know (and I know painters, performance artists, sonic artists, musicians, dancers) have a very clear set of ideas and understandings that they are expressing
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I don't think you should necessarily assume you are missing something.I have a problem "getting" Kim Weston's outdoor nudes. To me they just seem like it's just a good excuse to get a gal naked, but lets call it art because it's outdoors. Obviously I am missing something.
... they just seem like it's just a good excuse to get a gal naked ...
art is sometimes considered a luxory item, maybe large and lavishly created ( expensive ) -> luxury,
just like many super wealthy people have solid gold toilets ... after all its just money.
That's fine if you believe the determining factor is intent, but that approach just shifts the discussion and controversy to the assignment of adjectives, so we are not much further along in our understanding.
Eggleston's work provokes these attitudes I think. Although I like and see value in some of his photos, I see nothing in his other photos. That's fine - I'm not calling him a charlatan. Apparently even knowledgeable and respected people in the art world have opposing views on his work.
Well, if art is anything intended to be art, why don't we, at least with respect to photography, drop the term altogether since it carries so much baggage, and simply refer to the photograph as an image. Then we can discuss whether the image (or portfolio, collection, oeuvre) is good, bad, indifferent, important, banal, or any of a thousand other qualifiers. If we had done so in this thread, we could have avoided a three page diversion which didn't get us any closer to an assessment of William Eggleston's photographs.From the Oxford Dictionary: "Art - The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power."
Not really sure why that is an overly debatable point.
- Is it something that a human describes as their expression of their creativity and imagination? - Congrats, you've found some art.
You can debate whether or not it is good art, whether it has value or deserves any means of funding, and whether there are legal issues with its creation or display, but there isn't a lot of room to seriously counter the claim of an artist as to whether or not their creation is art.
I only meant for purposes of our discussions here, not the world at large.Why would we not drop the term art in photography? Maybe because not all photography is art?
Now I am confused. If art is determined by intent, how could those few out of millions which were neat, pretty, interesting be considered art, if it was not your intention that they be art in the first place. Did they become art after the fact because they were deemed neat, pretty, interesting by you (or the computer).I've helped a friend create several million images of crystal structures over the years to aid in their chemistry research. I wouldn't consider the vast majority of them as art. However there were a handful, a few dozen images over the years, that we've pulled out of the database because for one reason or another someone stopped and said "That's neat", or "That's pretty", or "That one's interesting", and in one case it was "I wonder if we can find a series with these specific properties...", and we've pulled them out, cleaned them up a bit, and made prints of them.
Well, if art is anything intended to be art, why don't we, at least with respect to photography, drop the term altogether since it carries so much baggage, and simply refer to the photograph as an image. Then we can discuss whether the image (or portfolio, collection, oeuvre) is good, bad, indifferent, important, banal, or any of a thousand other qualifiers. If we had done so in this thread, we could have avoided a three page diversion which didn't get us any closer to an assessment of William Eggleston's photographs.
do you mean calling eggerston's work art, not photography ?
sorry for my confusion
They don't become art until they are re-purposed as art. The relevant intention is the intention at the time they are re-purposed.Now I am confused. If art is determined by intent, how could those few out of millions which were neat, pretty, interesting be considered art, if it was not your intention that they be art in the first place. Did they become art after the fact because they were deemed neat, pretty, interesting by you (or the computer).
So the homeowner who painted his house, thought it looked pretty after he got through, and called it art, created art. So now, anything you call art is art. Seems like a pretty good reason to ignore the label and just call photographs images for purposes of evaluation.They don't become art until they are re-purposed as art. The relevant intention is the intention at the time they are re-purposed.
Just as a collection of records can become art through curatorship. The art is in the choices at the time of editing.
You can evaluate a photograph in a lot of different ways. But if your interest in the photograph is as a piece of art, you need to address your mind to artistic criteria.So the homeowner who painted his house, thought it looked pretty after he got through, and called it art, created art. So now, anything you call art is art. Seems like a pretty good reason to ignore the label and just call photographs images for purposes of evaluation.
I am. It seems that there is some disagreement as to what the "artistic criteria" are?You can evaluate a photograph in a lot of different ways. But if your interest in the photograph is as a piece of art, you need to address your mind to artistic criteria.
If art is determined by intent
You certainly are not required to participate in the discussion.mynewcolor said:This is a sideline to the discussion of Eggleston so perhaps it should end?
You certainly are not required to participate in the discussion.
I'm less cynical. Adopting that lavish production changes how the picture is seen: taking nearly-ordinary scenes and making them hyper-real. That's a good reason. It's a barrier to imitators also.
I've noticed he did use a mix of lenses (perhaps more so than other known photographers?). He's using (ultra?) wides even in his very early stuff. Might this have seemed quite new, quite cinematic in the 60s?
i think your suggestions makea lot of sense too.
i've written a note to someone who might be able to give some more insights
when i hear back i'll post a snippit here ...
john
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