chrisl said:Thanks Sandy, I'll give it a try. Hopefully my unidrum roller goes relatively the same speed as the jobo's slow speed you mentioned. And I'll go track down some sodium metaborate as all I have is sodium hydroxide here. Thanks for the tip.
Boy, the times for films are alot shorter for both fp4 and trix comparing pmk to pyrocat (for N dev. I've found online for pmk that is). Nice plus.
Hi Chris,
Sodium hydroxide is very alkaline. I think that you could add just a bit of it, say 1/4 of a teaspoonful per liter, in substituion of the sodium metaborate or sodium carbonate. Mind you I have never done this but it will definitely make the pre-soak water alkaline and I don't *think* that it will do anything to interfere with the PMK.
And yes, times for Pyrocat-HD are quite a bit shorter than PMK, plus the fact that with the 1:1:100 dilution you get the slight increase in effective film speed.
Sandy
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Bulent Ozgoren said:Sandy
Thank you for this excellent article and for your contribution to the photographic community. At one time you have recommended adding 0.5 g of EDTA to 100 ml of both solution A and B. This does not appear in the formula you have now posted. I use distilled water in both stock and working solutions. Would EDTA be necessary when tap water is used? Bulent Ozgoren Istanbul Turkey
john_s said:In this neck of the woods (Australia) isopropyl alcohol is not available at pharmacies. What is readily available is Methylated Spirit which is mostly ethyl alcohol plus some denaturants to make you not want to drink it (typically methyl alcohol, a ketone, and denatonium benzoate whatever that is.)
Would this be a reasonable substitute for isopropyl alcohol? A post that I read somewhere suggested cheap vodka as a substitute. Would it be impossible to get the phenidone to dissolve without any alcohol?
Francesco said:Sandy,
Is it possible to mix the working solution and keep it in a beaker for several hours? I only develope one BTZS tube at a time but I have several of them. Could the working solution stay in a beaker for at least 7 hours? Or is it essential to mix just before use each time?
Jorge said:Is a very different formulation, Sandy uses catehcol and phenidone, Thorton uses catechol, glycin and phenidone I beleive. Of course the mayor difference is price...I think you will be pleased with Pyrocat HD.
john_s said:I
Is there a reason that in the massive amount of info that Sandy has produced and generously presented to us, there is no graph for HP5+ at 100+1+1 dilution? Obviously long development times might be an issue for some people, but an extra 5min would not bother me.
Yes, there is a reason. In fact two reasons.
First, I am primarily an alternative printer and for my own work use almost exclusively the 2:2:100 dilution. For the broader benefit of Pyrocat-HD users I have done some testing with the 1:1:100 dilution but not nearly so much as with the 2:2:100 dilution.
Second, every single one of the CI charts provided represents at least 3-4 hours of time. This includes:
1. Exposing five sheets of film for exactly the same time to a 21-point step wedge.
2. Developing each of the sheets of film for a different time (calculated from about 0.5X normal to 2X normal, assuring temperature control of +/- 0.5 degrees for all stages of processing.
3. Reading the densities of each of the five sheets at all 21 points of the step wedge. (5X21 readings = 105 total) Different readings are required for silver papers/AZO (Blue reading) and alternative processes (UV reading).
4. Entering the data into WinPlotter. (5X21 entries = 105 total)
5. Analysis of the curves and transfer of the graphics from WinPlotter to PhotoShop to Word.
As you can see, providing useful testing information takes a lot of time. If there are other WinPlotter users who would be interested in running tests and sharing the data for films (and/or dilution) that are not covered in the article I would be very interested in including CI charts of these tests, with credits.
Sandy
dnmilikan said:First of all, film shot for enlarging is never developed in Pyrocat at a 2-2-100 dilution. The 2-2-100 dilution is for negatives designed for alternative process or Azo. That explains why your negatives are contrasty. If you take the 2-2-100 time on the blue channel reading of HP5 and use the same amount of time but cut the dilution to 1-1-100 you should be fairly close.
Thanks. I have been aware of Pyrocat-HD for a year or two and assumed that it would be less suitable for my purposes, ordinary silver printing on VC and occasionally on graded papers, using 120 and some 35mm. I use PMK generally and have been happy with it, except that I've experienced some variations when I've mixed up a new batch (despite being quite careful).
It was Sandy's recent article that prompted me to try his developer. Obviously one needs to be prepared to experiment when starting out on a new and rather different developer. What surprised me, and I still don't understand it, is that I chose the time for gamma=0.5 which I thought would have given me the level of contrast I was looking for.
Anyway, I'll follow your advice and report back.
Thanks again.
john_s said:What surprised me, and I still don't understand it, is that I chose the time for gamma=0.5 which I thought would have given me the level of contrast I was looking for.
John,
Two quick notes.
First, I looked at my data again for the 2:2:100 dilution of Pyrocat-HD with HP5+ and it agrees with the chart in the artilce. For a CI of 0.50 my tests indicate that you need to develop HP5+ for about 6:30 minutes at 72F. This is based on a densitometer reading with the Blue channel and applies to silver gelatin printing.
Second, please note that at another spot in the article I indicated that persons experienced with PMK could correlate that information to the 1:1:100 dilution of Pyrocat-HD by multiplying the PMK time by 0.70. From that I calculate that for normal SBR scenes a time of about 9:00 minutes at 72 F would be about right for HP5+ when developed in Pyrocat -HD 1:1:100.
Hope this information is useful to you.
Sandy
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