I am considering purchasing an Aristo Variable contrast cold light head. Has anyone had experience with this combination? Also my experience is with dichro heads for B&W what is the difference in operation between a Variable contrast cold light head and a Dichro?
Is it a problem to attach the Aristo to a Durst L184? Thanks,
I don't know about fitting it to the Durst but I have used the Aristo VCL for a long time and I like it but the first thing you will have to get used to is how dim the printing light is. I am using a later generation Aristo VCL head and for some reason I have to print at a high contrast setting. My normal contrast setting is between 3.2 and 4. Those issues aside it is a great head.
I don't know about fitting it to the Durst but I have used the Aristo VCL for a long time and I like it but the first thing you will have to get used to is how dim the printing light is. I am using a later generation Aristo VCL head and for some reason I have to print at a high contrast setting. My normal contrast setting is between 3.2 and 4. Those issues aside it is a great head.
Early Riser, yes I do definitely keep the dark room very dark for that reason. If you use a Thomas safe light or something that is very bright, the image is hard to see. Personally I am happy to work in a dark dark room just lit with red LEDs
Tom the advantage to a cold light is smoother tones and less problem with scratches and dust on the negative showing up on the print.
The noise is actually another reason I work with a darker darkroom. I find the hummmmmmmmmmmmmmmmmmmmmmmmmmmm of the thomas florescent safe light to drive me insane.