Dear Ole,No.
I have a 12x16" camera, but so far 5x7", 18x24cm and 24x30cm suit me much better. Maybe now that I've got a 8x10" camera I can sell the big beast?
I'm not the least bit obsessed with something I can't even get film for.
Robert,
If you REALLY wanted it, you could get it. Kodak will cut any of their emulsions in any size you want - as long as you're willing to meet their $$$ minimum order requirements. Or, you can buy 9.5" rolls and cut your own to your desired length. Or, you could shoot it in 150 ft. rolls with a motor driven back, Dead Link Removed, for rapid bracketing of exposures in rapidly changing light.
Anything is possible, if you have enough money an REALLY want to do it.
Kerry
Jim,
11x14 is not much bigger than 8x10. Why don't you build yourself a 14x17 and be done with ULF camera building and we go out burning some big negatives?
I completely agree with Kerry in the sense that it is easier to admit defeat and blame any number of companies for the condition than it is to solve the problem.
Robert,
If you REALLY wanted it, you could get it. Kodak will cut any of their emulsions in any size you want - as long as you're willing to meet their $$$ minimum order requirements. Or, you can buy 9.5" rolls and cut your own to your desired length. Or, you could shoot it in 150 ft. rolls with a motor driven back, Dead Link Removed, for rapid bracketing of exposures in rapidly changing light.
I only shoot Fuji Velvia.
I completely agree with Kerry in the sense that it is easier to admit defeat and blame any number of companies for the condition than it is to solve the problem. Fundamental human nature. But at the end of the day the future of ULF is the collective responsibility of the participants. In this regard I am one of the hopelessly addicted that is willing to step up and allocate some of my time to insure that we have B&W sheet film for these cameras for years to come. I am working jointly with J&C toward the goal of stocking TMY in ULF sizes shortly that would eliminate pre-orders and make this emulsion available to many more photographers that prefer to pay as they go.
Long live B&W in ULF formats!
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