I like a fine grain and the other features of slow film and push when necessary. Well with one of my rolls I decided to pull it two stops down to ISO 12.5 and I really liked the effect, I was wondering if there is a very slow black and white film that is availiable to purchase (ISO 6 or 12.5),
Going for low ISO as such makes hardly any sense, as there are various means to dim a lens.
What you seek is low grain or high resolution or tonality.
There is the Adox CMS 100 as type 120, the only high-resolution film available as type 120.
Otherwise you might consider the Rollei Ortho 25plus as type 120.
Both are out of stock momentarily at the manufacturers.
Why not slow film with a bunch of ND?
My friend found out the hard way on a trip. Shot a bunch and then tried to develop later at the hotel. All came out black.It doesn't hold a latent image very well though so best develop it as soon as possible.
My friend found out the hard way on a trip. Shot a bunch and then tried to develop later at the hotel. All came out black.
It seems Like a simple question to me. “Are there any very slow ISO 6 or 12 films?” The answer to that is no (in 120). But there are films that will likely pull well to that speed that have been recommended which I suspect he will try.
I wonder what the minimum age of this film is and how it was kept? The description uses the word "new" but that of course is the standard e-bay term for an unused item and is not the fault of the seller. However "new" is largely meaningless here or so I would have thoughtHi Fotokunst . This is ISO 3, but it looks like the seller has other films available. Stock up while you can, before the island of idiots detaches itself from the civilised mainland! (Although Norn Iron are at least 60% remain, but let's not drag politics in!)
https://www.ebay.co.uk/itm/5x-Kodak...771410?hash=item1a51a2c4d2:g:agIAAOSwCypWm72f
It should tend to lower overall contrast and perhaps reduce grain(although that's probably moot with slow films)... which might be beneficial in low speed films, which are generally relatively contrasty...Why should one pull process a film just to gain a lower speed rating and nothing else?
The only thing I can think of is not having an ND filter at hand.
So were all the films' frames black and your friend developed the Pan F later( same day?) at the hotel? Pan F's problem is latent image retention and users report different findings on this but a matter of a few hours only, surely not? That and a black film leads me to believe that it had nothing to do with Pan F per se.My friend found out the hard way on a trip. Shot a bunch and then tried to develop later at the hotel. All came out black.
So were all the films' frames black and your friend developed the Pan F later( same day?) at the hotel?
Why should one pull process a film just to gain a lower speed rating and nothing else?
The only thing I can think of is not having an ND filter at hand.
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