Sjixxxy
Member
I been using Wollensak Raptars on a large format cameras for night photography for a while now. Results were always great. Last winter I got an RB67 and started using it for the same type of shooting. While I didn't save much (if any) in weight, the camera and roll film is much easier to operate in the dark. The Sekor-C lens are great, but I've been noticing lately that I have to reject a lot of negatives due to appearance of the aperture shaped flare on the negatives.
My night aesthetic typically involves a street lamp included in the scene. With the Raptars I'd get this amazing smooth light as seen in Dead Link Removed, and Dead Link Removed. I don't recall ever seeing the shape of the aperture ghosting on the negatives while using the old lenses. Far too many of the negatives from the RB67 are I find unacceptable because of it.
My assumption is that since those lenses have less groups & elements than the Sekor lens, the opportunity for a reflection to bounce around and appear is much smaller? Does that seem like a proper explanation?
I need to review all the work I shot with the raptars and reconsider my night photography load out.
My night aesthetic typically involves a street lamp included in the scene. With the Raptars I'd get this amazing smooth light as seen in Dead Link Removed, and Dead Link Removed. I don't recall ever seeing the shape of the aperture ghosting on the negatives while using the old lenses. Far too many of the negatives from the RB67 are I find unacceptable because of it.
My assumption is that since those lenses have less groups & elements than the Sekor lens, the opportunity for a reflection to bounce around and appear is much smaller? Does that seem like a proper explanation?
I need to review all the work I shot with the raptars and reconsider my night photography load out.