First of all, make sure you process your film in an archival manner. Skimp on the washing and no amount of acid free boxes and neutral sleeves will help.
Second, don't forget, film likes to breathe; do NOT seal the film in a container or you will doom it to deterioration. Take it out occasionally, at least once a year during a relatively dry day and put a fan on the open container to stir the air. Trapped gas escaping from the film is the real culpret behind film deterioration...
Third, keep it cool and dry. Moisture and heat are primary triggers for vinegar syndrome in acetate film and it can't do polyester/estar any good either, because it encourages mold and fungus growth. Emulsion is a FINE medium to grow biological specimens...
Fourth, if you have film going vinegar or deteriorating, segregate it from your other film or it will spread.
Fifth, the really nice thing about film is that the top of your closet is a very good, stable environment to store your negatives and prints.
Most of us don't have a climate controlled vault in which to store our prints and negatives, but the closet comes closest and the price is right.
Here is an very short article I wrote for an AMIA conference on "Assessing the Health of Your Film Archive" that should have some applicable information for still photographers...
http://palimpsest.stanford.edu/byauth/wylie/assessment/
The links in the online paper are obsolete, so go here for the Image Permanence Institute;
http://www.imagepermanenceinstitute.org/