I also wonder who coats glass plates and what they are used for.
But I think the emulsion has been updated over time so it might not be exactly the same as whatever you mean by the original emulsion.
Hello Henning, thanks. What about the current one and my question on the emulsion that goes on these plates?
I do know that the Agfa APX emulsions were technologically significantly different to those of other manufacturers and more difficult to produce. And that emulsion chemists today will not go in that direction anymore.
Best regards,
Henning
Many years ago, I used glass plates and they have wonderful dimensional stability, as they are dead flat. But used in the field they weigh a ton to carry around.
You have my full attention now. Tell us more, please.
It doesn't answer my initial question,
Sorry I misunderstood your question. Yes it appears to be in production. But I can only find rolls of 135 and these plates you posted. I didn’t look very hard though
Perhaps you should look up the developing instructions for the plates and compare it to the film? That might offer insight. The plates are too expensive to just buy out of curiosity.
This is the part I'm interested in.The old Agfa BW emulsion technology was more difficult to make, had more risks in the production process.
Correct. But the tonality was amazing.But APX 400 was weaker
So there is room for another film. Adox came out with a beta version many years ago.And as ISO 400/27° films are today the film class with the highest demand,
Indeed. But I have no means to do so.
A lot of people shoot glass plates for various reasons.
So there is room for another film.
Adox came out with a beta version many years ago.
For what kind of film, Miha? What are you missing in the ISO 400/27° BW film class?
The current supply and variety is huge:
4 different films from Harman technology: Delta 400, XP2 Super 400, HP5+, Kentmere 400.
2 different film from Foma: Fomapan 400, Foma Orto 400.
2 different films from Kodak: TMY-2, Tri-X
1 film from Bergger: Pancro 400
1 film from FilmoTec: P400
Which photographic project cannot realized by you because of a specific lacking ISO 400/27° BW film?
Not "a lot", I think. I've yet to encounter a single person using these - not counting wet plate photographers who pour their own plates, or the (very) small crowd that shoots very simple emulsions on dry plates for a 'period correct' look.
I guess I meant a lot more than one would expect. The expectation being that nobody shoots glass plates.
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