horacekenneth
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What's an Instagram? Really, I have no idea. Rhetorical question, no need to tell me. If I've gotten along this far w/o knowing what it is, I don't need to know.
I don't mind other people using Instagram. I tried it for myself for a while, but it was really sad to me just how momentary everything is. Like nobody has time to stop and look at a photograph for more than a second or two, only to continue to the next one, and then never looked at again. Too fleeting, not enough time spent with each picture to truly appreciate it.
It's what it is, a flow of daily pics of low resolution, consumed or rejected instantly. Still it's a sort of "outreach" activity for an analog/hybrid photographer like me. As Fixcinater says, the analog stuff will draw more attention than the digital stuff. I get many questions from especially younger people who would like to jump on the analog train and in some cases I managed them to take the first step. We're all on a mission, right?
I'm exposed_material on Instagram, btw
It's a side effect of information overload bound up with social peer pressure.
The Internet is nothing if not the classic example of information overload. Remember, this was Bill Gates' original goal. Information at your fingertips. It just happened in a way that he never anticipated. Life usually works that way.
With everyone's personal social interactions now also tightly controlled by the Internet no one wants to be perceived as being left out or behind. The fate worse than death is to be challenged "Did you see that?" and not to be able to say yes. Or to have to lie and hope the questioner doesn't ask for details. So manic surfers try to look at everything.
Unfortunately, everything is a really, really big number. And without the benefit of an Interstellar time-dilation experience* seeing everything is almost impossible. And the amount of non-dilated time available to see any one item becomes almost infinitesimally small.
So people end up mindlessly flipping through everything while thinking about and retaining nothing, in the desperate hope that they won't miss anything and end up on the outside of the social acceptance window looking in. The demographic group to have most quickly understood this and put it to work for them making money are the celebrities.
"Did you see Kim Kardashian's new fully nude photos??"
Ken
* The astronaut waited 23 years in orbit for their return while performing his lifetime's research, yet they were only gone for a little over three hours...
We should have a hashtag. #apug is mostly, well, pugs.
My problem with instagram, twitter, facebook and other similar sites is: you get your result, you get the likes, followers, positive comments and the thrills from it. Fast result that gives ok looking pixels. But this pleasure is short lasting. And on the end it cost me more and more time and keeps me away from the thing I should do: make some prints. So I don't have any accounts on those sites any more. For me it is always the same: I get back what I put into. Fast result - fast fading.
Of course this is only me - I am not saying everybody should do as I do.
Beforehand sorry for any typos or format incorrectness. Writing on the phone and should get tapatalk...The chief difficulty lies in crystallizing what is actually important information. It takes too much work to weed through all the garbage to get to the nuggets that matter.
Back to the pictures. Personally, when I look at a photograph I prefer to spend some time with it. It's best when it's an actual print that I can be close to, maybe even hold in my hand. A very good friend of mine took a workshop with Minor White back in the day, and one of the important exercises was to close their eyes and rest, while an easel with a work of art was placed in front of them. Then they opened their eyes, and they were to sit in front of the art work and study it for (I think) half an hour. It's amazing what you find in a single work of art in that amount of time.
Instagram, conversely, is based on mass consumption of photographs. You are of course free to flip through the pictures at your own leisure, but I very much doubt anybody spends more than 5 seconds looking at a photograph.
The contrast is startling. When I look at other people's work I prefer to spend some time with each piece, which is why I fit so poorly with the way most internet applications intends for me to look at photography.
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