While intimate groups and alchohol might be found on every corner in "beautiful wine country" here in flyover land they aren't so common. Last time I engaged in such a discussion the polka band was playing Pink Floyd's "Comfortably Numb" very loudly. People were actually "polkaing" to it....blansky said:I respectfully submit that subjects like this are better discussed with an intimate group and usually there needs to be alcohol involved.
blansky said:Except for a couple of posts most people expressed themselves and stated their opinions.
We're all adults here (well some of us) and we should have a thick enough skin to be able to disagree on topics. We don't need babysitting.
If someone disagrees with our opinions, so what. Most of us change our opinions on a daily basis anyway.
Will S said:the polka band was playing Pink Floyd's "Comfortably Numb" very loudly. People were actually "polkaing" to it....
mrcallow said:Threads like this one are similar to the chemistry or BTZS threads. There are many with strong, differing points of view and some who have an inflated opinion of their point of view.
What makes it different is that people who don't give a shit about the subject will come along and tell everyone this is a waste of time. You won't see those who could care less about BTZS or some other fetish tell those folks who do to stop obsessing and go make photographs.
Those who wish to discuss photography as art are welcome to those who don't get it or don't want to are welcome to post elsewhere or ignore the thread.
But if you enjoy what you do, why worry? If one thing has emerged from this thread, it's that no one has the right to tell anyone else what to do.Andy K said:Some of us do give a poop though. When I read threads like this I question whether I'm wasting my time with photography, because I don't have a clue why I am compelled to make photographs or what I am trying to convey.
John McCallum said:Personally I think this can be an excellent environment for discussing the more abstruse topics of photography. We have a diverse range of experiences and opinions, and involved discussion can generate wonderful new directions for the critical thinker. But to make it work, and to gain that state of thought that can be so creative, it's vital to treat participants views as valid and valued. The intiator of the thread sets the tone, and should subsequently work to set the tone.
This thread started out poorly. The title is bad and the first post worse. Miller's subsequent posts would be an insult to anyone who thought they could possibly be about them. His abilities to discuss art in photography extend to preaching to the converted at a very shallow level whilst trying to invalidate any opposing views. This is what bothered me. I think it would help if the initiator of a thread like this had genuine intentions.
I don't consider myself a novice, and I am always trying to learn. Welcomed the opportunity to read the well thought out posts and rue the lost opportunity of the rest. Ah well, maybe next time.
Donald. According to your previous the post above, I thought you were interested to know why there was little topical discussion of this subject that you chose (one close to my own heart btw). I was responding to that, with my opinion, my reasons for missing motivation.Miller said:This directed at no specific individual so let me say that at the outset. After a couple of days on this subject and several dust ups, I am really surprised that very few people actually spoke to the matter of what motivates or drives their personal creative expression. I may have missed some one but my memory indicates about four people out of almost 3000 views. So the viewers were either coming to witness the bare knuckles or they were coming to learn something and got a very limited menu. In either case because of the limited participation those who have questions probably came away wanting.
That leaves me to wonder does everyone have this figured out for themselves and are just reluctant to talk about it? Or have very few given any thought to it and for that reason they are reluctant to talk about it?
There has been the usual transference of technical speak into this topic and attempts at giving advice and views...but very few people talk about where they live on this subject. Not surprising since this site seems to be long on technical and short on artistic expression or at least discussion of it.
Interesting...
you speak with an assumption. The assumption is that none of the participants of this thread (if not APUG entirely) think about these things. This is a backhanded criticism of the highest order, which does nothing to motivate me into having any dialogue with you about it, personally....face your own insecurities rather then trying and failing miserably at laying them at my door...Face yourselves for a change and for God's sake recognize that something inspires us to create. Discuss it, learn from it, and go out and make photographs that are not simply copies of things that have been photographed to death already. Learn to speak from your heart and not only the thin technical construct of your minds.
Donald Miller said:That being said. I am outta this discussion.
To make my standpoint clearer: I am not dismissing the ACT of creating the sand picture as trivial - I called it an act of religious devotion, and as such it has an undeniable quality of spiritual purity about it. To reach the point where you can produce images of this kind obviously takes dedication and a long journey of the mind. However, if I then contrast this with the casual way in which the artist herself obliterates her own work after allowing it to be visible for just a few seconds, I feel justified in concluding that for the artist it is the mental process of REACHING the displayed skill level which is important, whereas IN THE ARTIST'S OWN VIEW the actual physical product of this skill, the picture, is trivial, secondary and in fact almost totally unimportant. The same applies to the Buddhist monks - they actually take longer to make their paintings, allow them to be viewed for longer, but then also destroy them. As such, I would not call this art, since an artwork in the sense that I usually use the word is an object created explicitly to communicate something to somebody who was not present at the moment of creation of the work and therefore intended to have a life of its own (Andy Warhol et alia apart, most artists do select high-quality materials with the obvious intention of making their artwork last as long as possible). If anything, the sand paintings are more like performance art.John McCallum said:Glad you made that point. Saying it was not art because of the medium or whatever, dismissed it too quickly for me. The "sand painter" must have spent a vast amount of time perfecting the craft.
Maybe I'm only simplifying Michael's point, but the act of the performance and was clever and unique, and for me was art itself. The subjects were kitsch, but to me they had secondary importance to the skill of the performance. In a way, it was at the other end of the commercial art spectrum from greeting cards.
It did have that pureness about it.
Is not an act of religious devotion also an act of personal expression? I don't necessarily see the two as mutually exclusive.David H. Bebbington said:A very interesting point - I think I'd have to say craft again, because the painting is done as a formal act of religious devotion rather than an act of personal expression or exploration (I'd regard the architecture of medieval cathedrals as craft by the same reasoning). I admire the monks' mindset - I could not bring myself to work on something for 6 days and then destroy it for any reason at all!
I wonder that if my place were burning down and I had a chance to save one thing, would it be my box of personal yet kitsch greeting cards/postcards/photos I have received from/of friends, family and loved ones or the gorgeous gum bichromate over palladium print I just bought and framed?mrcallow said:The sad truth about Greeting cards (and many other forms we all take lightly) is that many an artist or creative person winds up creating them so that they don't have to live in a van down by the river.
This is my reaction as well. Plus my doubts the money was real in the first place.David H. Bebbington said:The KLF money-burning struck me as an act of obscene egotism by a pair of emotionally-retarded ***holes. If anyone really has £1 million that they don't know what to do with, there are SO many charities who do know. I would even accept the cash myself if necessary!
David H. Bebbington said:b) The KLF money-burning struck me as an act of obscene egotism by a pair of emotionally-retarded ***holes. If anyone really has £1 million that they don't know what to do with, there are SO many charities who do know. I would even accept the cash myself if necessary!
Andy K said:If I remember correctly the KLF (aka The Justified Ancients of Mumu, The JAMs) deliberately destroyed, by burning, one million pounds cash in £50 notes, as art.
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