hi ozwoodnbrass:
sorry for showing my ignorance, but what is the ellie young method ?
i know of her studio and expertise in many different areas of alternative photography
but have never heard of her way of pouring dry plates?
i don't have one method or person's method i use, just trial and error, and reading about how others do this.
it wasn't so easy when i poured my first plates, there wasn't an internet just old books, and they weren't easy to find ..
i usually chop out emulsion as paul_c5x4 suggests, and put it into a container with a lip to heat up.
beforehand i wash my glass down really good so it sheets and let them air dry.
i used to sub my plates with something for the emulsion to stick to anything from urethane to eggwhites to collodion to gelatin
but now i just pour the emulsions on the plate when its warm and runny and let it flow from edge to edge before pouring the excess off
into the container i poured with ... and i put the plate on something COLD to set the emulsion. and i do this 1 or 2x. i have a wooden plate drying rack
that i usually let them dry on for a day or 2 to dry out / cure //
i have some plates ( some metal some glass, some paper )i poured last spring that i haven't gotten around to shooting ...
extra time / age speeds them a little bit, not sure how much ...
but heating and reheating the emulsion will mess with it, make it foggy and ive had issues with the gelatin not being good anymore
so i had to sub PAPER for the emulsion to stick.
i have some foma, but haven't used it yet, ive only used home brew emulsion (years ago) and when i learned about it, rockland colloid liquid light ..
not sure if you know of these people or places?
Dead Link Removed
also reading what wildbillbugman writes here
and people at denise ross'
http://www.thelightfarm.com/
they pour and use plates and might add to the method you already use, or might be of some help if you find yourself stuck.
have fun !
john