Anyone Here Know Whom @ Kodak To Contact Directly Concerning Film > Ektachrome Specifically?

brbo said:

Maybe you have a TV show (Euphoria) in mind? It was shot on Ektachrome and processed in ECN-2.

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Taylor Nankervis said:

^^


What's not to like about E100, polarised, in natural light, rendering natural colours?

Why would you introduce floss and artifice like warming to this?

Really, this thread speaks to me that individuals are lacking, quite profoundly, in the advanced visualisation skills to properly nuance the exposure of film to particular (as yet, unidentified) applications.

For so many years now I cannot stand Peter Lík's (or Ken Duncan's) ultra-hypersaturated unrealism take on photography, quite aside from self-inflating bio and descriptions. Seems to us that once he (and KD) discovered Fauxtoshoppe improbable possibilities, there was no stopping either from applying every affect from every bloated and blasphemous drop-down menu. What would Jesus say...?

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DF said:

"...we all can only speculate on Velvia's future since Fuji can no longer get their dyes from Brazil..."

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DF said:

[...] Fuji can no longer get their dyes from Brazil [...]

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dscottjorgenson said:

That's the most detailed info I've heard on Fujifilm's difficulties sourcing the materials they need for their slide films. Do you have any more information, or a link? Thanks!

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mshchem said:

So what you're saying is Ektachrome in 70mm and 220, while theoretically possible, are unlikely, at least not anytime soon.

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mshchem said:

I agree that 220 would take Devine intervention. But 70mm, maybe there's a secret NASA/CIA application stash somewhere ???

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