Yes I've done all that about half a dozen times with the "I'm not a robot" - then the whole check off which squares the such & such are in over and over again.
Here is their website contact link: https://corporate.kodakalaris.com/contact#film
Yes I've done all that about half a dozen times with the "I'm not a robot" - then the whole check off which squares the such & such are in over and over again.
Kodak needs to check this out....
However if you have a good idea for another distribution option - i.e. are offering to become another local distributor customer for Kodak Alaris - then they will be happy to hear from you.
Eastman Kodak only sells to Kodak Alaris.
Kodak Alaris only sells to local distributors.
Local distributors sell to retail.
Retail sells to you.
If your nifty idea is for a new "niche product" for Kodak, forget it. They are not going to make an E-6 film that looks just like Kodachrome or whatever other swell product suggestion you may have.
No wonder we get fleeced ... even a 30% markup at each stage (that would be low), means than Eastman Kodak's $10 film costs us consumers $21.79 (or $28.56 if EK also add 30%). I can see that one middleman is probably needed, even two, but they are making a fools of us with three.
Eastman Kodak and all of its international subsidiaries was historically a massive international distribution and marketing corporation that had both manufacturing capacity and the capacity to get others to manufacture for it.
When the market imploded, it was the costs related to marketing and distribution that forced them into bankruptcy.
It costs far more to get a roll of film into a customer's hand then it does to actually make it. That has always been the case, no matter what the distribution model is.
The structure they use may not provide us photography enthusiasts with the least expensive film, but it does get film into the hands of way more people, all around the world, then something far smaller.
'Just had some good dialogue with Thomas Mooney Director of Film Capture on possibilities of a warm version of Ektachrome 100.DF, I hope you eventually get through so we can learn what you want to present to EK via KA. We really have no idea what your idea is so all I can say is : Didn't Edison get a "Nero's thumbs down" answer from the gas mantel and paraffin lamp manufacturers about the electric light bulb
pentaxuser
'Just had some good dialogue with Thomas Mooney Director of Film Capture on possibilities of a warm version of Ektachrome 100.
Currently, it's a sorry no chance.
'Just had some good dialogue with Thomas Mooney Director of Film Capture on possibilities of a warm version of Ektachrome 100.
Currently, it's a sorry no chance.
Did he have a recommendation for an appropriate warming filter?
'Just had some good dialogue with Thomas Mooney Director of Film Capture on possibilities of a warm version of Ektachrome 100.
Currently, it's a sorry no chance.
Or, how about a more-saturated version of E100 - aka E100VS, with a bit of a warm balance as an answer to Fujifilm Velvia
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